All glory

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?  hmmmmmmm?!?!?!
+ the dogged perseverance to keep going
+ laser-like focus and undivided attention
+ the resolute tenacity to overcome
+ the sticktoitiveness to Finish
= Glory!



The Problem

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The problem (if there was one) was simply a problem with the question. He wants to paint a bird, needs to, and the problem is why. Why paint a bird? Why do anything at all? Not how, because hows are easy, series or sequence, one foot after the other, but existentially why bother, what does it solve? Be the tree, solve for bird. What does that mean? It’s a problem of focus, it’s a problem of diligence, it’s supposed to be a grackle but it sort of got away from him. But why not let the colors do what they want, which is blend, which is kind of neighborly, if you think about it. Blackbird, he says. So be it. Indexed and normative. Who gets to measure the distance between experience and its representation? Who controls the lines of inquiry? He does, but he’s not very good at it. And just because you want to paint a bird, do actually paint a bird, it doesn’t mean you’ve accomplished anything. Maybe if it was pretty, it would mean something. Maybe if it was beautiful it would be true. But it’s not, not beautiful, not true, not even realistic, more like a man in a birdsuit, blue shoulders instead of feathers, because he isn’t looking at a bird, real bird, as he paints, he is looking at his heart, which is impossible, unless his heart is a metaphor for his heart, as everything is a metaphor for itself, so that looking at the page is like looking out the window at a bird in your chest with a song in its throat that you don’t want to hear but you paint anyway because the hand is a voice that can sing what the voice will not and the hand wants to do something useful. Sometimes, at night, in bed, before I fall asleep, I think about a poem I might write, someday, about my heart, says the heart. Answer: be the heart. Answer: be the hand. Answer: be the bird. Answer: be the sky.

~ Richard Silken

 


Credits: Poem – Fables of Reconstruction. Drawing by Shaz AslamRichard Silken Bio

Do I or Do I Not Want To Do? (How to Decide)?

baz-luhrmann
Luhrmann doesn’t want to give in to the pressure to repeat himself. During the making of “Gatsby,” he said, he felt challenged and alive, “not panicked that somehow the universe was leaving me behind.” That is the way he needs to feel about his next project, whatever it is. “I’d love to have done James Bond,” he said. “I’d love to just go and do a rom-com or a jeans-and-T-shirt film, because that would be fun.” But he can’t. “It is both maddening and also has a degree of exultation about it, but I’m addicted to doing not that which I really want to do, but that which I feel must be done.” His job now, he said, is “to draw some kind of lines. I have a big inner life. My struggle is how to organize it. How to aim the gun.”

~ Amy Wallace on Baz Luhrmann, Do I or Do I Not Want To Do? (How to Decide)?


Mark Anthony “Baz” Luhrmann, 51, is an Australian film director, screenwriter and producer best known for The Red Curtain Trilogy, comprising his films Strictly BallroomRomeo + Juliet, and Moulin Rouge!. In 2008, his film Australia was released, starring Hugh Jackman and Nicole Kidman. His version of The Great Gatsby was released in 2013.  On 26 January 1997, he wed Catherine Martin, a production designer; the couple has two children.  (Source: Wiki)


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Life is Wondrous

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