Source: wsj.com – Owls sit in a hollow nest in Patan, Nepal. (Narendra Shrestha)
(Two years in the woods.) I brought no computer, no television, no cellphone. There was a land line, which rang maybe twice a month, so a wrong number was an event…
Five years earlier, during my junior year at Harvard, a freak accident had blinded me in my right eye. During a pick-up game of basketball, as we scuffled for a rebound, a boy’s finger hooked behind my eyeball and severed its attachment to my optic nerve, the cable that connects the eye to the brain. The pain was unlike anything I’d ever experienced. There was nothing the doctors could do. The loss of vision to my right eye was permanent. With vision in only one eye, there’s no stereopsis, no depth perception. And without depth perception, the world looked simultaneously flat and permeable, like I’d crossed the threshold into a fantasy land, where nothing was solid, including my sense of myself…
To compound my disorientation, after the blood dissipated, my eye looked as it always had. The gap between how I presented myself and how people saw me widened into a gulf. And the track I’d been on, which headed toward law school, and the old track of my thinking, which often allowed the comfort of achievement to substitute for meaning, and which had kept me from entering into the passing landscape to forge my own values, became impossible to live by… [Read more…]
If there is one god who shaped this ribbon of coast and mountains, who created and nurtures the community of living things that covers it, this god is Rain. About 215 days each year have measurable rain or snow. Yearly precipitation on the island totals nearly a hundred increase – eight feet – and perhaps half again that much on the high slopes. A single inch of rain disbursed over a square mile equals 17.4 million gallons of water. This means about 1.7 billion gallons falls each year on every square mile of the island. The upthrown land is wrapped almost constantly in clouds, and the stead wash of rain has shaped it with veins of coalescing water. Thousands of streams and rivers shed their burden into the Pacific, where it convenes as a mass of freshened current that flows along this entire coast. The rich forest exists here at the behest of rain, as do the muskegs and estuary meadows, and the whole array of rain-loving animals, from timber and slugs and click beetles to bears and bald eagles. I crawl outside the tent to feel the storm once more and take in this moment of its life. Standing in near-absolute darkness, I breathe the wind and try to perceive the power of the moment, to let the storm blow away these snares of thought and leave me the purer freedom of my senses. The storm has given me this day, this island born of rain.
~ Richard Nelson, The Island Within
- Photo: Adele Oliver (Vancouver Island) via Elinka
- Related Richard Nelson Posts on Live & Learn: Richard Nelson
- Inspired by Albert Einstein’s quote: “There are only two ways to live your life. One is as though nothing is a miracle. The other is as though everything is a miracle.”
- Related Live & Live Posts: Miracle. All of it.
Everything around it moves, as if just this one time and one time only, as if the message of Heraclitus has arrived here through some deep current, from the distance of an entire universe, in spite of all the senseless obstacles, because the water moves, it flows, it arrives, and cascades; now and then the silken breeze sways, the mountains quiver in the scourging heat, but this heat itself also moves, trembles, and vibrates in the land, as do the tall scattered grass-islands, the grass, blade by blade, in the riverbed; each individual shallow wave, as it falls, tumbles over the low weirs, and then, every inconceivable fleeting element of this subsiding wave, and all the individual glitterings of light flashing on the surface of this fleeting element, this surface suddenly emerging and just as quickly collapsing, with its drops of light dying down, scintillating, and then reeling in all directions, inexpressible in words; clouds are gathering; the restless, jarring blue sky high above; the sun is concentrated with horrific strength, yet still indescribable, extending onto the entire momentary creation, maddeningly brilliant, blindingly radiant.
There it is, in the middle of the Kamo, the water largely reaching up to its knees, hence the truly quite shallow weir, interspersed with small grassy enclaves, hence truly peculiar, if not the most bizarre river upon the globe, and the bird just stands, without a single movement, its body strained forward, waiting staggeringly long minutes for the day’s quarry, now already ten minutes, then a half-hour passes as well; in this waiting and attentiveness and motionlessness, time is cruelly long, and still it does not move, standing exactly the same, in exactly the same pose, not a single feather trembles, it stands, leaning forward, its beak bent at an acute angle over the mirror of the gurgling water; no one is looking, no one sees it, and if it’s not seen today then it is not seen for all eternity, the inexpressible beauty with which it stands shall remain concealed, the unique enchantment of its regal stillness shall remain unperceived: here with it, in the middle of the Kamo, in this motionlessness, in recognition that it is the one that gives meaning to everything around it, gives meaning to the spinning churning world of movement, to the dry parching heat, the vibrations, every whirling sound, scent, and picture, because it is a completely unique feature of this land, the unyielding artist of this landscape, who in its aesthetic of unparalleled motionlessness, as the fulfillment of unswerving artistic observation, rises once and for all above that to which it gives meaning, rises above it, above the frantic cavalcade of all the surrounding things, and introduces a kind of aimlessness — beautiful as well — above the local meaning permeating everything, as well as above that of its own actual activity, because what is the point of being beautiful, especially when it is just a white bird standing and waiting for something.
Clear. 50° F. Blue skies.
I’m flowing down I-95 S.
I lower the windows and rest my arm on the door frame.
The gusts fill the cabin. November chill.
70s on 7 is spinning Neil Sedaka and Bad Blood.
Doo-ron, doo-ron, di di, dit, do-ron-ron
To hell with these nonsensical lyrics. I plug my own.
I do what I want to do.
I hear want I want to hear.
I See. Thank God I can See.
Good Blood. Good Blood. Good Blood.
And the brain train starts to pull,
the steel couplers snap between the rail cars,
the words begin to slide down the rails.
And here they come. [Read more…]
In the back of my awareness,
I also know this:
The day will come when
I shall have to recall the luxuriant splendor of long, solitary walks,
rather than take them.
~ Katrina Kenison, Present. Magical Journey: An Apprenticeship in Contentment
- SMWI* = Saturday Morning Work-Out Inspiration.
- Photo by Maxine – My Perfect Void – My october | Russia, 10/30/2015.
Post inspiration – “Everywhere the cliffrose is blooming, the yellow flowers shivering in the wind” by Edward Abbey in Desert Solitaire: A Season in the Wilderness.