A superb painter let me take a brush to a canvas that she said she was abandoning. I tried to continue a simple black stroke that she had started. The contrast between the controlled pressure of her touch and my flaccid smear shocked me, physically. It was like shaking hands with a small person who flips you across a room.
~ Peter Schjeldahl, The Art of Dying (The New Yorker, December 16, 2019)
Notes:
- His entire essay: Highly recommended.
- Photo: Klas-Goran Johansson