Blog. Write. Share. Why? I’m an acolyte.

North-star-Polaris

From Steven Pressfield: Why, #3:

In many ways this blog is me talking to myself. What makes the thing work, if indeed it does, is that there are a lot people like me and they are dealing with the same issues I’m dealing with. So talking to myself in this public forum is, in its way, a meditation for those individuals as well. So I don’t ask myself, “What do I imagine others want to read in this space?” I ask, “What do I want? What issues are bothering me? What questions am I exploring?”

Don’t miss reading about “serving the muse” and “the irresistible gravitational pull of your Pole Star”

Is that an answer to the question, “Why am I writing this blog? Why are you reading it?”

May be. In asking myself these questions and publishing them in this public forum, I’m hoping a) to fortify and enlighten myself in this mysterious journey, and b) to tell you that you’re not alone, that your questions (which I can’t help but believe are just like mine) are not silly or fatuous or unworthy, and that at least one other person on this planet—i.e., me—is just as crazy as you are.

Read more here: Why, #3


 

The Secrets

Tony-Gwynn

NY Times: In a .338 Lifetime Average, Every Day Counted.

  • Tony Gwynn died of cancer on Monday at age 54.
  • Gwynn won a record 8 National League batting championships, he was a 15-time All-Star, he amassed 3,141 hits and gained acclaim as one of baseball’s most passionate students in the art of hitting…and his pudgy 5′ 11″ frame (give or take a few pounds) did not evoke streamlined athleticism.
  • Tony Gwynn may have embodied the game of baseball better than anyone else who has played.  It was not because Gwynn was among its greatest hitters. It was because of the wonder he found in the game and the joy he took in applying his daily discoveries.
  • He spoke passionately about the attitude of the modern player. “They just feel like stuff is supposed to happen to them,” he said. “They’re not going to have to work for it. And that bugs me because I know how hard I had to work to get where I got.
  • Gwynn’s love for the low-key atmosphere in San Diego and his devotion to the Padres may have been costly. He shunned free agency in favor of multiyear contracts…But he told The Times during his final season: “Twenty years in one place, one city. It looks good.”
  • Tony Gwynn’s 2 Hitting Secrets: Work and More Work.

What a player. What a Man. What an inspiration. RIP Tony Gwynn.


Do what you love? Or do what most needs doing?

work,passion,career,art,writing

A 2012 share titled “Do What You Love” garnered more likes (393) and more views (8,396) than any other post on this blog. My thinking has evolved (you were naive!) since that time with a subsequent share titled: Do What You Love? Wrong! and this NY Times article by Professor Gordon Marino titled Life Beyond ‘Do What You Love’:

…But is “do what you love” wisdom or malarkey?

…the “do what you love” ethos so ubiquitous in our culture is in fact elitist because it degrades work that is not done from love. It also ignores the idea that work itself possesses an inherent value, and most importantly, severs the traditional connection between work, talent and duty.

…My father didn’t do what he loved. He labored at a job he detested so that he could send his children to college. Was he just unenlightened and mistaken to put the well-being of others above his own personal interests? It might be argued that his idea of self-fulfillment was taking care of his family, but again, like so many other less than fortunate ones, he hated his work but gritted his teeth and did it well.

…Our desires should not be the ultimate arbiters of vocation. Sometimes we should do what we hate, or what most needs doing, and do it as best we can.

Read full article: Life Beyond ‘Do What You Love’


Image Source: daiquiri-kisses (modified)

Lit Boy

John-VandeZande

I’ve reached the half-way mark of Updike, a biography on John Updike written by Adam Begley.  I pause to reflect on how I arrived here.  “Here” being how did I come to be reading John Updike’s biography.  Yes, it was Amazon’s Best Book of the Month for April, 2014. That helped, but that wasn’t it.  It was that man in the photograph that is responsible.  John VandeZande.

It was an undergraduate elective class titled “Good Books.” It was highly recommended by my senior jock buddies: “Just show up, read a few books and you’re done.”  I signed up for the class. I sat in the back of the room.  And hoped never to get called on.

He would assign Hemingway, Faulkner, Joyce, Steinbeck and F. Scott Fitzgerald. Updike, in his biography, would describe them as “textual titans.” At the time, I would describe them as literary unknowns – – DK, a lover of Hardy Boys who then graduated to the genres of Jeffrey Archer (Kane & Abel), James Clavell (Shogun & Tai Pan) and Stephen King – – was being heaved up into the major leagues.  I slumped further down in my chair at the back of the room.

He would break the awkwardness of the early classes by reading long passages from the assigned readings. He would sit on the edge of his desk.  The book in his right hand.  And then immerse himself in the passage. There were no pencils tapping. There was no shifting in chairs.  We were gently transported with him on the journey.

He struck the match. And stoked the fire. And I went on a tear.  First Hemingway with The Sun Also Rises, A Farewell to Arms, For Whom The Bell Tolls, The Old Man and the Sea. Then Faulkner with The Sound and the Fury, As I Lay Dying, Light in August and Absalom, Absalom!. Followed by John Steinbeck with The Grapes of Wrath, Of Mice and Men, Cannery Row and East of Eden.  And then John Updike with Rabbit, Run, Rabbit Redux and Rabbit Is Rich.  And to this day, my serial runs on “Textual Titans” continues. (In Begley’s biography of Updike, Updike explained that: “A real reader,” he explained, “reading to escape his own life thoroughly, tends to have runs on authors.” That had my head spinning.)

Continue reading “Lit Boy”

A day to lie on the grass with nothing to do but to slip the blades through my fingers

photography,woman,peace,relax,chill,zen

I have never wanted anything more than the wild creatures have, a broad waft of clean air, a day to lie on the grass at times, with nothing to do but to slip the blades through my fingers, and look as long as I pleased at the whole blue arch, and the screens of green and white between; leave for a month to float and float along the salt crests and among the foam, or roll with my naked skin over a clean long stretch of sunshiny sand; food that I liked, straight from the cool ground, and time to taste its sweetness, and time to rest after tasting; sleep when it came, and stillness, that the sleep might leave me when it would, not sooner … This is what I wanted,—this, and free contact with my fellows … not to love and lie, and be ashamed, but to love and say I love, and be glad of it; to feel the currents of ten thousand years of passion flooding me, body to body, as the wild things meet. I have asked no more.

~ Voltairine De Cleyre (1866-1912)

 


Photograph: Mariam Sitchinava.  Quote Source: Stalwart Reader. Voltairine De Cleyre bio.