Tuesday Morning Wake-Up Call

“People get up, they go to work, they have their lives, but you never see the headlines say, ‘Six billion people got along rather well today.’ You’ll have the headline about the 30 people who shot each other.”

~ John Malkovich


John Gavin Malkovich, 59, was born in Christopher, Illinois.  His paternal grandparents were Croatian. He is an American actor, producer, director, and fashion designer. Over the last 30 years of his career, Malkovich has appeared in more than 70 motion pictures. For his roles in Places in the Heart and In the Line of Fire, he received Academy Award nominations. He has also appeared in critically acclaimed films such as Empire of the SunThe Killing FieldsDangerous LiaisonsOf Mice and MenBeing John Malkovich, and RED, and has produced numerous films, including Juno and The Perks of Being a Wallflower.


Image Source: m.antena.ro portrait of John Malkovich

It’s just doubt, that’s the biggest thing.

You’ve been doing stand-up since the late ‘80s. Do you remember your worst night?

Oh, there are so many of them. In the beginning, there are endless amounts of worst nights. But there was one, after “Everybody Loves Raymond” had been on for a year, out at the University of Florida’s Gator Growl. It’s in the stadium, like, 30,000 people, Dave Chappelle, Larry the Cable Guy and me. Five minutes in, I heard a woman yell out, “You better start getting funny.”

Anything you miss about those early days?

There was something gratifying about going up onstage in front of a room full of total strangers. They’ve never seen you in their life, and they’re kind of like, who is this guy? And then you win that crowd over. That will never happen again, only because somebody in the audience has seen me. Seinfeld said, they give you the first 10 minutes if you’re well known. But you still gotta be funny.

When you first started taking on dramatic roles, what was your biggest worry?

You wonder, are you any good? It’s just doubt, that’s the biggest thing. The desire is there. But then I also want to be a pro golfer, and that’s never gonna happen.

You still have worries like that?

Oh yeah. No matter how successful you are. I hear that from other comedians all the time. You’re just waiting for the funny police to come and arrest you as an impostor.

~ Robert Ito, excerpts from his interview with Ray Romano in “Ray Romano Still Fears the ‘Funny Police’” (NY Times, June 30, 2017)


Photo of Ray Romano: Aces Comedy

Costanza: “Jerry, just remember, it’s not a lie if you believe it.”

jerry-seinfeld

 

Q: You and Larry David wrote Seinfeld together, without a traditional writers’ room, and burnout was one reason you stopped. Was there a more sustainable way to do it? Could McKinsey or someone have helped you find a better model?

JS: Who’s McKinsey?

Q: It’s a consulting firm.

JS: Are they funny?

Q: No.

JS: Then I don’t need them. If you’re efficient, you’re doing it the wrong way. The right way is the hard way. The show was successful because I micromanaged it—every word, every line, every take, every edit, every casting. That’s my way of life.

~ Daniel McGinn, Life’s Work: An Interview with Jerry Seinfeld (HBR, Jan-Feb 2017)


Blog Post Title Credit: The Independent – Seinfeld at 25: The Show’s Best Quotes

Bonus Quote: Jerry Seinfeld: “You know the message you’re sending out to the world with these sweatpants? You’re telling the world, ‘I give up. I can’t compete in normal society. I’m miserable, so I might as well be comfortable.’

Why?

harry-belafonte

“I often look at the journey, and I don’t get it…I really don’t. I have lasted longer than I understand why. I often feel that there must have been something that I should’ve done that I didn’t do. But I can’t identify what it is that I didn’t do… This is not modesty. This is part of a bigger search for me. What was all this about? Why?”

~ Harry Belafonte, Harry Belafonte Knows a Thing or Two About New York. The city native, about to turn 90, looks back at a glorious past and wonders what his next act will be. He was born Harold George Bellanfanti Jr., and dropped out of school in ninth grade, frustrated by what was later recognized as dyslexia. He was working as a janitor’s assistant when a customer gave him tickets to an American Negro Theater production, and when he volunteered to help as a handyman, he soon found himself onstage with Ruby Dee, Ossie Davis and Mr. Poitier.


Photo of Belafonte from Kate Wolf Music Festival

Monday Morning Wake-Up Call (Bill Withers, A Whole Person)

“My father was this coal miner, but he was always interested in reading. Never got a chance to go to school. But he read. And, you know, dignity was very important to him. The first thing that I had to resolve in my life and the one thing that was very important to me, I had to sort this out: ‘Can I go into this thing and avoid the minstrel-ness of it?’ This is a business. And you got some cold pimps that will mail you out until you die in your grave. You got as many thieves in this stuff… There’s a life you have to run. And you do the best you can. And hopefully, as a human being, you improve. I’m 70-years-old. I’m not some kind of mindless troubadour. You know? I have an intellect I have to manage, I have some thoughts I have to manage, I have a life I have to maintain. I want to know where my stuff is. You know? I want to know who I am. I don’t want to be some simple-minded blues boy. You can bleep this out: ‘Kiss my ass with that shit.’ So I’m doing the best I can. To grow and improve my lineage as a species. So I got some responsibilities that require that I be available. I never had the benefit of a formal education, but I’ve always wanted to better myself. I can speak the language. I can write it, make it rhyme for you, if you want to. You know what I mean? Somebody said, “Education is the sum total of what you know.” That’s everything from tying your shoe to whether you can do quadratic equations or not. So, I’m not saying this should be a template for everybody, but that’s just the kind of person that makes sense for me to be. Hopefully the music that I made is useful to somebody. I mean, I get nice letters from people that say, ‘Hey man, my grandmother died, and the song helped me.’ I like that kind of stuff. As a result, it was important to me, as best I could, to try to wind up with a life that had some stability and some dignity in it… I made some choices earlier… that I wanted to be a whole person. Not just this entertainer thing. It doesn’t fill up my plate. I love it — who wouldn’t like it? But it doesn’t fill up my plate.”

Bill Withers, on why he walked away from the music business in 1985 in an Interview on The Sound of Young America


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