Lightly Child, Lightly.

And maybe that’s better. It makes me feel that rather than worrying and theorising about the state of the world, which helps no one, I should put my energy into living and being happy. When I try to picture for myself what a happy life might look like, the picture hasn’t changed very much since I was a child—a house with flowers and trees around it, and a river nearby, and a room full of books, and someone there to love me, that’s all. Just to make a home there… Never to move, never to board a plane again, just to live quietly and then be buried in the earth. What else is life for?

— Sally Rooney, Beautiful World, Where Are You: A Novel (Farrar, Straus and Giroux, September 7, 2021)


Notes:

I Live a Life Like Yours

I started Jan Grue’s new memoir listening to his story on Audible. It’s titled “I Live a Life Like Yours.”

Oh, no Jan. You so do not.

I’m walking listening to his story. Free to take a step, not giving a moment’s consideration to how I keep my balance. And then following this step with another and another and another.

Suffering from Sciatica DK? Put out a bit? YOU are suffering?

Grue was diagnosed as a child with a rare form of spinal atrophy. As Michael J. Fox explains in his book review, “all of the wins in his life are come-from-behind —  a person who is much more than what others see. He discovers that “to be stared at, gawked at, is …to be situated in a narrative that has already been written, and that is told by others.” “The world,” he says, “perceives a body with frail arms, legs locked into certain angles…in a large bulky wheelchair” as not…a whole man…He offers messages of wisdom that will resonate long after you’ve finished the memoir. “At some point or another I stopped thinking about myself as someone who needed repairing.”

Dwight Garner is his book review describes “A Life Like Yours” a quietly brilliant book that warms slowly in the hands. And that it does. I, highly recommend the book.

Let me close with a passage from his memoir.


Since an early age, I had known that I had spinal muscular atrophy… I would like to think myself away from my body, away from my injured, worn ankles. But there is no me that exists apart from this body, in some unmarked form. That body would have lived an entirely different sort of life. And yet it haunts me. It casts another kind of shadow. I shut my eyes and go skiing each winter, I run 10K each morning. I dash off to another country at a moment’s notice, grab my carry-on, run out the door and hail a taxi, make my way quickly through the security check and sprint to the gate. I haven’t made arrangements for where I’ll stay when I arrive, I climb into a taxi and simply say: Drive me somewhere I haven’t been before.

I open my eyes.

— Jan Grue, I Live a Life Like Yours: A Memoir. B. L. Crook (Translator). (FSG Originals, August 17, 2021)

Some days I am very raw, as though my outer layers have been peeled away

Some days I am very raw, as though my outer layers have been peeled away, exposing the new parts of myself to the wind and the sea spray… I feel very sensitive to different consistencies of light. The speed of the wind. The pull of my clothes against my arms. Everything has a texture. I had stopped noticing it. I have a new pleasure in holding objects. A cold, round apple is solid in the palm of my hand. I stroke the smooth, hard squares of Scrabble letters. I run my fingers over the rough wooden surface of the table. I wonder if this is how my mother felt when we came here during those long, brooding summers.

~ Jessica Andrews, Saltwater: A Novel (Farrar, Straus and Giroux, January 14, 2020)

I loved it. Recommended for you? Hmmmm. Read a Kindle sample to get a taste.


Notes:

Sunday Morning

I want to be a monk because I think that would be a very good use of me, he continued. Does that sound strange? It sounds a bit arrogant, I suppose. I don’t mean to be arrogant. I want to be an implement. Something like a shovel with a beard. If I live with humility and intent, if I do what I do well and gracefully, that is good. Beyond that I cannot go. When I speak to children they will ask me things like, if I do enough good, and other people do good, then the good stacks up, right? and the good eventually beats the bad, right? and I cannot say this is so. I am not very interested in speculation about such things. I was never interested in theology. I think theology is an attempt to make sense of that to which sense does not apply. I cannot explain why I hope that what I do matters; all I can do is do what I do, either well or ill, patiently or not, gracefully or not. And I do find that doing things mindfully, patiently, easefully, makes the task far more interesting. I love to cut the grass here, for I sometimes come to a sort of understanding with the grass, and the hill, and the creatures in the grass, and with my legs and arms and back, a sort of silent conversation in which we all communicate easily and thoroughly. Do you have any idea of what I mean with all this?

~ Brian Doyle, from “Because It’s Hard” in “One Long River of Song: Notes on Wonder” (Little, Brown and Company, December 3, 2019)


Notes:

About right.

Is this verbal violence, then, simply incompetence? Is it the verbal equivalent of someone who has not learned the piano sitting down and trying to play Rachmaninov’s Third? The rudeness of these public figures gives pleasure and relief, it is clear, to their audiences. Perhaps what they experience is not the possibility of actual violence but a sort of intellectual unbuttoning, a freedom from the constraint of language. Perhaps they have lived lives in which they have been continually outplayed in the field of articulation, but of this new skill – rudeness – they find that they are the masters.

~ Rachel Cusk, from “On Rudeness” in Coventry (Farrar, Straus and Giroux. September 16, 2019)


Notes: