Search Results for: niall williams

Miracle. All of It.

 Human beings are creations more profound than human beings can fathom…

That’s one of the proofs of God…

there’s no other explanation.

Niall Williams, “This Is Happiness” (Bloomsbury Publishing; December 3, 2019)


Notes:

  • Art.  Finger painter (by default). Artist Mary Jane Q Cross (New Hampshire) with “Breath of Heaven” (via Mennyfox55)
  • Post title Inspired by Albert Einstein’s quote: “There are only two ways to live your life. One is as though nothing is a miracle. The other is as though everything is a miracle.”

Running on Christmas Day. No signal.

At 8 pm last night, I agreed with myself I wouldn’t post, wouldn’t share, wouldn’t clutter up Christmas Day with stuff on this blog.

But no, that wasn’t possible Now.  So we’ll keep it short.

I hadn’t run in weeks, but the pull to get outside, was out-of-body.  You need to get out. Today. Now.

30° F feeling like 26° F.  Sun bright and beaming.  It was high tide at the cove, a flock of Canadian geese, 25 or so, were floating at the base of the break wall, offering me their moment of silence.

He used to follow this blog, comment on certain posts.  I could feel His finger reaching for the “Like” button towards the End when he was no longer up to offering comments.

Forgiveness is not a strong suit.  Actually no suit I wear at all.  I had to stop at mid-point on the run. Toxicity from the anger made another step impossible.

Anger burns for the Health Insurer, who silently collected his premium payments, and then provided notice that coverage wasn’t provided as promised because of an exclusion.  And then to stick the knife deeper, terminated coverage retroactively for a month, causing a scramble by the Care providers demanding payment from Him, shuffling Him to a hospital, and that hospital shuffling him to another for lack of confirmation of Insurance Coverage, and this second one pressing for transfer to permanent skilled care.  “We needed to provide him with a sedative.  He’s really anxious, struggling to breathe.” And you wonder why he’s anxious?  The cauldron boils over.  Anger also burns, for those who took a vow with my Brother, for better, for worse, for richer, for poorer, in sickness and in health, only to let him fight alone in sickness. [Read more…]

That’s happiness.

“How can you be happy now?” the book seems to ask, and it has a point. The catastrophe of climate neglect, the toxic politics, the tangible sense of so many things worsening in your own lifetime, along with a sense of your obscure or outright complicity, all combined to make the idea of any possible happiness seem at best childish, at worse willfully blind…

When I came to write the new novel, I remembered a moment from our early days in Clare. We had left commuter Monday-to-Friday lives in New York to come to a rural farming community, seeking a simpler life that was truer to our natures, not yet knowing what exactly that was…

One of those first welcomers was Michael Dooley, a silver-haired farmer, turf cutter, man of the land of the old kind, who into his 80s, pedaled his big bicycle into the village.

Because Michael seemed to be working on the land all day every day, into the fall of darkness and beyond, and never complained, I once asked him if he ever took a holiday.

“A holiday?” He looked at me like the innocent I was.

“I mean, what do you do to be happy?”

The question was a novelty to him and he considered it from all sides before answering.

“When I want a holiday,” he said at last, “I go over the road as far as the meadow. I go in there, take off my jacket, and lay down on it. I watch the world turning for a bit, with me still in it.”

He smiled then, and held me in his blue Atlantic eyes, full of the ordinary wisdom of a well-lived life, a wisdom that saw the many failings of the world but our still breathing and dreaming in it, and with a conclusive nod that defeated all arguments said, “That’s happiness.”

~ Niall Williams, from “Is Anyone Happy Anymore? We’ve lost our ability to take comfort in small things.” Mr. Williams is the author, most recently, of the novel “This Is Happiness.” (The New York Times, Dec 21, 2019)


Notes:

Saturday Morning

(She) enjoyed the privilege of stillness, most days did absolutely nothing but breathe and look and hear and smell the world turning.

A self-appointed Judge of Existence.

~ Niall Williams, “This Is Happiness” (Bloomsbury Publishing; December 3, 2019)

 


Photo: Carlos Gotay (via Mennyfox55)

Sunday Morning

When you’ve been raised inside a religion, it’s not a small thing to step outside it. Even if you no longer believe in it, you can feel its absence.

There’s a spirit-wound to a Sunday.

You can patch it, but it’s there, whether natural or invented not for me to say.

Niall Williams, “This Is Happiness” (Bloomsbury Publishing; December 3, 2019)


Photo: Kuehn Malvezzi of “House of One” (Berlin)

 

Today’s Forecast: 90% Probability of Rain

Nobody in Faha could remember when it started. Rain there on the western seaboard was a condition of living. It came straight-down and sideways, frontwards, backwards and any other wards God could think of. It came in sweeps, in waves, sometimes in veils. It came dressed as drizzle, as mizzle, as mist, as showers, frequent and widespread, as a wet fog, as a damp day, a drop, a dreeping, and an out-and-out downpour. It came the fine day, the bright day, and the day promised dry. It came at any time of the day and night, and in all seasons, regardless of calendar and forecast, until in Faha your clothes were rain and your skin was rain and your house was rain with a fireplace. It came off the grey vastness of an Atlantic that threw itself against the land like a lover once spurned and resolved not to be so again. It came accompanied by seagulls and smells of salt and seaweed. It came with cold air and curtained light. It came like a judgement, or, in benign version, like a blessing God had forgotten he had left on. It came for a handkerchief of blue sky, came on westerlies, sometimes – why not? – on easterlies, came in clouds that broke their backs on the mountains in Kerry and fell into Clare, making mud the ground and blind the air. It came disguised as hail, as sleet, but never as snow. It came softly sometimes, tenderly sometimes, its spears turned to kisses, in rain that pretended it was not rain, that had come down to be closer to the fields whose green it loved and fostered, until it drowned them. All of which, to attest to the one truth: in Faha, it rained. But now, it had stopped.

~ Niall Williams, “This Is Happiness” (Bloomsbury Publishing; December 3, 2019)


Photo: “All it ever does is rain” by Alan Schaller (via thisisn’thappiness)

Sunday Morning

You live a decent length you get an appreciation for the individuality of creation. You understand there’s no such thing as the common man, and certainly not woman. But even then, in those first moments beside him on the windowsill, I think I knew there was something arresting about him. Everybody carries a world. But certain people change the air about them. That’s the best I can say. It can’t be explained, only felt. He was easy in himself. Maybe that was the first thing. He didn’t feel the need to fill the quiet and had the confidence of the storyteller when the story is still unpacked, its snaps not yet released. His hair had not been barbered in some time, his beard rose into his cheeks and descended inside the collar of his shirt, around the top-button of which was grey with finger-grease. The flesh of his face had the same travelled quality as his clothes and belongings, as if cured by hot suns and cold winds. He was deep-wrinkled, like a chamois. His life was written all over him. His eyes I’ve mentioned. I can see them still. It seems to me the true and individual nature of a human being’s eyes defy description, or at least my capabilities. They’re not like anything else, or anyone else’s, and may be the most perfect proof of the existence of a Creator. Maybe that old thing about eyes and the soul is true, I can’t say, but I did wonder the first time I saw him what gave a person eyes like that.

~ Niall Williams, “This Is Happiness” (Bloomsbury Publishing; December 3, 2019)


Notes: Photograph: Amanda Dalbjörn with eyes

Riding Metro North. No Wings.

Tuesday.

Low 30’s F.

Walking to catch the 6:16 a.m. train to Manhattan, irritated that I have a late jump, and finding a seat is now a 50% probability. $15.25 for a ticket, and I have to worry about getting a seat.

I’m 1000 ft away from the stairs to the platform, and the cyclops eye beams through the morning fog illuminating the track.  This is followed by a short horn blast signaling its arrival at the station.

It’s 3 minutes early.

I run.

I catch the train.

NO SEAT.

I stand for 55 minutes.

I’ve started a new book by Niall Williams titled “This is Happiness.” And this ain’t bloody Happiness. [Read more…]

Saturday Morning

And for moments, nothing more.

Some people understand the privilege of stillness and can sit and breathe and look and hear and smell the world turning and let what’s next wait the while.

~ Niall Williams, “This Is Happiness” (Bloomsbury Publishing; December 3, 2019)

 


Photo: Levas Žiriakovas with Spring Sun

At the trial of God, we will ask: why did you allow all this?

North American songbirds have been shrinking steadily in size over the past 40 years, according to scientists who measured tens of thousands of the feathered creatures from dozens of different species and attributed the changes to rising temperatures.

As the birds’ bodies got smaller, their wings gradually got longer, the scientists said in a paper published Wednesday in the journal Ecology Letters. The longer wings, the researchers said, may help offset the loss of body mass so the birds can fly efficiently on their long migrations. The changes were too small to be apparent to the naked eye, the scientists said, amounting to a gram or so in weight per bird and a few millimeters change in individual wing length…

Migrating birds in the modern world face many hazards affecting their growth and survival, from vanishing nesting grounds, dwindling food sources and pesticide use, to domestic cats, which kill up to 3 billion birds annually. Collisions with high-rise buildings kill another 600 million or so migrating birds every year.

~ Robert Lee Hotz, from “Songbirds Are Shrinking in Size, Study Finds. Scientists pin drop-off in size of North American songbirds on rising temperatures” (wsj.com, Dec 5, 2019)


Notes:

Post inspired by: “At the trial of God, we will ask: why did you allow all this? / And the answer will be an echo: why did you allow all this?”  by Ilya Kaminsky, from “A City Like a Guillotine Shivers on Its Way to the Neck,” Deaf Republic

And further inspired by: “But there’s something undoing about the dying light of mid-afternoon. In that empty old house on Marlborough Road all that had stitched me into this life came undone and I couldn’t escape the feeling that folded against my back were wings that had failed to open. ~ Niall Williams, “This Is Happiness” (Bloomsbury Publishing; December 3, 2019)

Sunday Morning

The longer my father lived in this world the more he knew there was another to come. It was not that he thought this world beyond saving, although in darkness I suppose there was some of that, but rather that he imagined there must be a finer one where God corrected His mistakes and men and women lived in the second draft of Creation and did not know despair. My father bore a burden of impossible ambition. He wanted all things to be better than they were, beginning with himself and ending with this world. Maybe this was because he was a poet. Maybe all poets are doomed to disappointment. Maybe it comes from too much dazzlement. I don’t know yet. I don’t know if time tarnishes or polishes a human soul or if it’s true that it’s better to look down than up.

~ Niall Williams, History of the Rain.


Notes:

  • Photo by Indonesian Photographer Sukron Ma’mun.
  • Another inspiring quote from same book: “The River Shannon passes below our house on its journey to the sea. Come here, Ruthie, feel the pulse of the water, my father said, kneeling on the bank and dipping his hand, palm to current, then reaching up to take my hand in his. He put your arm into the cold river and at once it was pulled seaward like an oar. I was seven years old. I had a blue dress for summertime. Here, Ruthie, feel.”
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