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Dragging the fish

 Michael Wong Loi Sing, Fish hat

…desire,
a huge fish I drag with me
through the wilderness:
I love its glint among the dust and stones.

~ Gregory Orr, Leaving The Asylum in The Red House. (Harper & Row, 1980.)


Notes:

  • Poem: Your Eyes Blaze Out
  • Art: Michael Wong Loi Sing, Fish hat. Painting: Acrylic on Canvas. Meditating woman placing herself in the stream of her thoughts, accepting what she has to do, glowing with colors. The fish has his eyes open, he is the watch man.
  • Related Posts: Gregory Orr

 

Under Pressure?

painting-Almedia-blue

I listed my blessings: all those
I love who hold me here.
I looked up at the thick
interlacing of branches above my head
and saw, high up, the bright blue
of air I might breathe, air I could swim to.

—Gregory Orr, “Under Pressure,” in City of Salt


Poem: I Hear It Deep In The Hearts Core. Art: Helena Almedia (mennyfox55)

It’s been a long day

woman-portrait-tired-fatigue

And yet I swear
I love this earth
that scars and scalds,
that burns my feet.

And even hell is holy.

~ Gregory Orr, from “Tin Cup,” in The Caged Owl: New and Selected Poems


Notes:

If we’re not supposed to dance

bird-autumn-leaves-sing

To be alive: not just the carcass
But the spark.
That’s crudely put, but…
If we’re not supposed to dance,
Why all this music?

~Gregory Orr


Sources: Photograph: Sensualstarfish. Poem: Thank you Karen @ Tearinyourhand. Gregory Orr Bio.

I imagine how the press of cooling air might feel against its wings

For some weeks, I’ve been worried about the health of family and friends. Today I’ve stared at a computer screen for hours. My eyes hurt. My heart does, too. Feeling the need for air, I sit on the step of my open back door and see a rook, a sociable species of European crow, flying low toward my house through gray evening air. Straightaway I use the trick I learned as a child, and all my difficult emotions lessen as I imagine how the press of cooling air might feel against its wings. But my deepest relief doesn’t come from imagining I can feel what the rook feels, know what the rook knows — instead, it’s slow delight in recognizing that I cannot. These days I take emotional solace from understanding that animals are not like me, that their lives are not about us at all. The house it’s flying over has meaning for both of us. To me, it is home. To a rook? A way point on a journey, a collection of tiles and slopes, useful as a perch or a thing to drop walnuts on in autumn to make them shatter and let it winkle out the flesh inside.

Then there is something else. As it passes overhead, the rook tilts its head to regard me briefly before flying on. And with that glance I feel a prickling in my skin that runs down my spine, and my sense of place shifts. The rook and I have shared no purpose. For one brief moment we noticed each other, is all. When I looked at the rook and the rook looked at me, I became a feature of its landscape as much as it became a feature of mine. Our separate lives, for that moment, coincided, and all my anxiety vanished in that one fugitive moment, when a bird in the sky on its way somewhere else pulled me back into the world by sending a glance across the divide.

~ Helen MacDonald, excerpt from “What Animals Taught Me About Being Human” (The New York Times, May 16, 2017)


Photo: Gregory Colbert (Thank you Sawsan via Last Tambourine)

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