Courage. No. Excuse me. Real Courage.

girl-bus-alone

The most beautiful flowers of courage
are not seen in the showy,
loose petalled bouquets of our leaders,
enormous gardenias perfuming whole banquet rooms.
No, they are blossoms like this:
a child-sized young woman with a homely face,
alone on a seat on the city bus,
eyelashes thick with mascara,
lipstick smudged onto her small, determined mouth.

~ Ted Kooser, July. The Wheeling Year: A Poet’s Field Book


Image Source: Ziemowit Maj

Saturday Morning. 4 am.

http://serrahrussell.com/equivalents/ddtdyna0o1folzm6dzmpy5kz32j2lb

But now it is four in the morning and she is still awake while her husband breathes regularly and sweetly beside her. When she tires of listening to him breathe, which takes a long time because he sounds like a child and it is beautiful to hear, she comes into the other room and looks out her window uptown and at the lights on the river. Now and then opening a can of tuna fish and thinking this fish in this room on 112th Street was originally swimming in the deep Atlantic and now it is here on the thirteenth floor. What a miracle, although not for the fish. Still. You can appreciate things at four in the morning that would go right past you during the day.

~ Abigail Thomas, She has had insomnia. Safekeeping: Some True Stories from a Life


Image Source – Precious Things – Serrah Russel, Equivalents

Hopper & Shirley: Morning Sun

morning-sun-edward-hopperedward-hopper-morning-sun-1952

“In Hopper’s paintings we can stare at the most familiar scenes and feel that they are essentially remote, even unknown. People look into space. They seem to be elsewhere, lost in a secrecy the paintings cannot disclose and we can only guess at. It is as if we were spectators at an event we were unable to name; we feel the presence of what is hidden, of what surely exists but is not revealed. By formalizing privacy, by giving it a space where it can be witnessed without being violated. Hopper’s rooms become sad havens of desire. We want to know more about what goes on in them, but of course we cannot. The silence that accompanies our viewing seems to increase. It is unsettling. It weighs on us like solitude. “

— Mark Strand, Hopper


The first image is Edward Hopper’s 1952 painting titled Morning Sun. The second, is a screen shot from the film “From Shirley – Visions of Reality” where Austrian Director Gustav Deutsch has recreated 13 of Hopper’s better-known paintings with images that bear an uncanny cinematic recreation of Hopper’s works. Hopper’s paintings are brought alive by the film, telling the story of a woman, whose thoughts, emotions and contemplations lets us observe an era in American history. Shirley is a woman in America in the 1930s, ‘40s, ‘50s, and early ‘60s.” (Phaidon)


Credit: Mark Strand Quote and inspiration: To Escape From a CommonPlace of Existence

 

SMWI*: Hold it Girl. Hold it.

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Notes: Source: Nikewomen. SMWI*=Saturday Morning Work-Out Inspiration

Blue

blue-mist-dreamy-photography

The photographer is marco andres argüello. He was born and raised in McAllen, Texas and is currently living in Miami Beach, Florida.  Be sure to check out his amazing web site here. My favorite collections are Greek Isles, Island and Ultraviolet.


Soure: eikadan


holding it at arm’s length, clutching its shoulders

photography,black and white

You’ve seen the way in which a woman chooses a dress from her closet, then stands before a mirror, holding it at arm’s length, clutching its shoulders as if it were a son she is sending to war, looking him up and down and then drawing him close and pressing him against her breast. And then she sees herself embracing him, and smiles, the two of them looking so perfect together, full of such hope, facing the future.

~ Ted Kooser, The Wheeling Year: A Poet’s Field Book


Photograph:  Drowned in Daydreams

The secret to a long life. Oh, Boy.

funny-old-age-men


Read more here: Spirit 88.3 FM – Avoid men and eat plenty of porridge for a long life, says Jessie, 109

 

 

The essential the spiritual oneness

jacques-bodin-painting-hyper-realism-hair

“Jacques Bodin is a french hyperrealist painter who lives and works in Paris. Most of his paintings are made in an almost absurd scale and magnification, so the subject becomes a kind of abstraction separating it from ordinary reality and endowing it with a life of its own. The hair, the orange , the herb become a world in itself, a microcosm. He focuses in on the essential the spiritual oneness of his subjects. There is, indeed, a connection between this magnified section of human physiognomy or nature and the universe.”

MICHAEL: When I look at those rear head shots of the women, I do wonder who those women are.  Is that your intention?

JACQUES: The human figure turning one’s back to the viewer suggests some interrogations: Who is this woman? Is she the artist’s wife, his daughter? Could it be my wife, could she be me? So if I answer to your question, I break the mystery.  I have the key, but I don’t give it to the viewer. I only suggest and the viewer builds his own history.

MICHAEL: Your paintings of fruit and especially oranges are fantastic.  Were you hungry for oranges and you decided to paint them instead?  They are so detailed.  I can see the pulp!  What was your inspiration?

JACQUES: Most paintings are made in a large scale so the oranges become a kind of abstraction separating the subject from ordinary reality and endowing it with a life of its own. The orange becomes a world in itself, a microcosm. I focus in on the essential, the spiritual oneness of the fruit; there is, indeed, a connection between this magnified section of vegetal physiognomy and the universe. I try to capture a dynamic form in a static pose while still conveying movement and brightness. This is for the theory. In fact, I really love oranges and particularly orange juice.

MICHAEL: When people look at your work, what do you want them to see or feel?  What is the message behind all of your hard work?

JACQUES: “I have a dream.” In two words, if anyone looking at my works thinks, ”Sense and beauty!” I would be proud of this message.  I don’t paint thinking about viewers’ opinion. I should wish people or customers could live all their life with my paintings and every day bring a brand new emotion or interpretation.

Find his website and gallery here: Jacquesbodin.com.  Find his Oranges and fruits here. Find his Herbes (grass) here.

War

woman-neck-black-and-white

You don’t know why you’re exhausted?
You’re fighting a war inside your head every single day.
If that’s not exhausting I don’t know what is.

My therapist


Credits: Quote – Borderline-ings Playbook via Eumoirous. Photography via Eclecticity Light

Roll It Ladies: 1920 to 2010

hair styles


Source: gifak