Source: Journal of a Nobody
“In Hopper’s paintings we can stare at the most familiar scenes and feel that they are essentially remote, even unknown. People look into space. They seem to be elsewhere, lost in a secrecy the paintings cannot disclose and we can only guess at. It is as if we were spectators at an event we were unable to name; we feel the presence of what is hidden, of what surely exists but is not revealed. By formalizing privacy, by giving it a space where it can be witnessed without being violated. Hopper’s rooms become sad havens of desire. We want to know more about what goes on in them, but of course we cannot. The silence that accompanies our viewing seems to increase. It is unsettling. It weighs on us like solitude. “
— Mark Strand, Hopper
The first image is Edward Hopper’s 1952 painting titled Morning Sun. The second, is a screen shot from the film “From Shirley – Visions of Reality” where Austrian Director Gustav Deutsch has recreated 13 of Hopper’s better-known paintings with images that bear an uncanny cinematic recreation of Hopper’s works. Hopper’s paintings are brought alive by the film, telling the story of a woman, whose thoughts, emotions and contemplations lets us observe an era in American history. Shirley is a woman in America in the 1930s, ‘40s, ‘50s, and early ‘60s.” (Phaidon)
Credit: Mark Strand Quote and inspiration: To Escape From a CommonPlace of Existence
Brenda Ann Kenneally portraits of vintage Miami 1992-1995. (Source: Time.com)
I think about time differently since I got to be this old.
I think of each moment as a big La-Z-Boy,
or perhaps a hammock,
and the only direction is a little back and forth,
or side to side.
For this I need peace and quiet,
and I eschew all outside stimulation.
Perhaps this is why the future escapes me.
~ Abigail Thomas, What Comes Next and How to Like It: A Memoir
When words become unclear,
I shall focus with photographs.
When images become inadequate,
I shall be content with silence.
– Ansel Adams
[Sacred space] is an absolute necessity for anybody today. You must have a room, or a certain hour or so a day, where you don’t know what was in the newspapers that morning, you don’t know who your friends are, you don’t know what you owe anybody, you don’t know what anybody owes to you. This is a place where you can simply experience and bring forth what you are and what you might be. This is the place of creative incubation. At first you may find that nothing happens there. But if you have a sacred place and use it, something eventually will happen. […]
Our life has become so economic and practical in its orientation that, as you get older, the claims of the moment upon you are so great, you hardly know where the hell you are, or what it is you intended. You are always doing something that is required of you. Where is your bliss station? You have to try to find it.
~ Joseph Campbell, The Power of Myth
Silence is now offered as a luxury good. In the business-class lounge at Charles de Gaulle airport, what you hear is the occasional tinkling of a spoon against china. There are no advertisements on the walls, and no TVs. This silence, more than any other feature of the space, is what makes it feel genuinely luxurious. When you step inside and the automatic airtight doors whoosh shut behind you, the difference is nearly tactile, like slipping out of haircloth into satin. Your brow unfurrows itself, your neck muscles relax; after twenty minutes you no longer feel exhausted. The hassle lifts. Outside the lounge is the usual airport cacophony. Because we have allowed our attention to be monetized, if you want yours back you’re going to have to pay for it.
~ Matthew B. Crawford, The World Beyond Your Head: On Becoming an Individual in an Age of Distraction
I have risen early. Far in the distance, a faint glow paints the horizon. Dawn is coming, gently and full of prayer. I step quietly from my bed, alive to the silences around me. This is the quiet time, the time of innocence and soft thoughts, the childhood of the day. Now is the moment when I must pause and life my heart – now, before the day fragments and my consciousness shatters into a thousand pieces. For this is the moment when the senses are most alive, when a thought, a touch, a piece of music can shape the spirit and color of the day. But if I am not careful – if I rise, frantic, from my bed, full of small concerns- the mystical flow of the imagination at rest will be broken, the past and the future will rush in to claim my mind, and I will be swept up into life’s petty details and myriad obligations. Gone will be the openness that comes only to the waking heart, and with it, the chance to focus the spirit and consecrate the day. What is needed is only a passing of the heart so the spirit can take wing and be lifted toward the infinite. I walk silently toward the window. The darkness is lifting. A thin shaft of lavender has creased the horizon, setting the edges of the trees on fire with morning light. I pause and bow my head…
~ Kent Nerburn, Small Grace: The Quiet Gifts of Everyday Life
Today I’m flying low and
I’m not saying a word.
I’m letting all the voodoos of ambition sleep.
The world goes on as it must,
the bees in the garden rumbling a little,
the fish leaping, the gnats getting eaten.
And so forth.
But I’m taking the day off.
Quiet as a feather.
I hardly move
though really I’m traveling a terrific distance.
One of the doors into the temple.
~ Mary Oliver, Today from A Thousand Mornings