I am a prophet of the past.
And how do you see and foresee the future?
As when a man sees a woman with a beautiful body
walking before him in the street
and looks at her with desire,
but she doesn’t turn to look back,
just smooths her skirt a little,
pulls her blouse tight,
fixes the back of her hair,
then without turning toward the man’s gaze
quickens her step.
That’s what the future is like.
— Yehuda Amichai, section 5 of “I Foretell the Days of Yore,” Open Closed Open
New York-based photographer Josephine Cardin created the work ‘Keep Me Silent‘ as a series of self-portraits exploring the weight of the dark secrets, emotions, and experiences we harbor throughout our lives. Josephine Cardin explains: “Weighing us down until we free ourselves from the burden of keeping them hidden, these hardships inevitably dictate every aspect of how we live and the decisions we make. Like most of my work, at first glance there is a sense of a beautiful, almost dreamlike state, but when one looks closer there is an evident darkness and sadness to be discovered. I wanted to give the illusion that the subject wanted nothing more than to float and be free, all the while not being able to let go of this burdensome weight holding her back. Until she finally lets go, forcing the suitcase open, her heavy cloud is lifted and vanishes away. As stated in one of my favorite quotes by Jim Morrison, ‘Expose yourself to your deepest fear; after that, fear has no power, and the fear of freedom shrinks and vanishes. You are free.'”
Don’t miss other photos in this series at Ignant.de: “Keep Me Silent“
Find the photographer’s website and gallery here: CardinPhotography.com
Q: There was a strong, negative reaction after you won your Oscar. In a recent interview for Elle U.K., you said, “As with anything difficult, eventually its purpose revealed itself, and I found it ultimately very liberating.” What was its purpose?
AH: Self-acceptance. If you’re not someone who has a natural and effortless love for yourself, it’s hard to let go of your desire to please other people, and that’s really not an ingredient for a happy life.
~ Anne Hathaway, Anne Hathaway’s Oscars Advice: ‘Do The Opposite of What I Did’
For the New Year—I still live, I still think; I must still live, for I must still think. Sum, ergo cogito: cogito, ergo sum. To-day everyone takes the liberty of expressing his wish and his favorite thought: well, I also mean to tell what I have wished for myself today, and what thought first crossed my mind this year,—a thought which ought to be the basis, the pledge and the sweetening of all my future life! I want more and more to perceive the necessary characters in things as the beautiful:—I shall thus be one of those who beautify things. Amor fati: let that henceforth be my love! I do not want to wage war with the ugly. I do not want to accuse, I do not want even to accuse the accusers. Looking aside, let that be my sole negation! And all in all, to sum up: I wish to be at any time hereafter only a yea-sayer!
~ Friedrich Nietzsche, January of 1882, Sanctus Januarius in The Gay Science
What’s the kindest thing you almost did? Is your fear of insomnia stronger than your fear of what awoke you? Are bonsai cruel? Do you love what you love, or just the feeling? Your earliest memories: do you look though your young eyes, or look at your young self? Which feels worse: to know that there are people who do more with less talent, or that there are people with more talent? Do you walk on moving walkways? Should it make any difference that you knew it was wrong as you were doing it? Would you trade actual intelligence for the perception of being smarter? Why does it bother you when someone at the next table is having a conversation on a cell phone? How many years of your life would you trade for the greatest month of your life? What would you tell your father, if it were possible? Which is changing faster, your body, or your mind? Is it cruel to tell an old person his prognosis? Are you in any way angry at your phone? When you pass a storefront, do you look at what’s inside, look at your reflection, or neither? Is there anything you would die for if no one could ever know you died for it? If you could be assured that money wouldn’t make you any small bit happier, would you still want more money? What has been irrevocably spoiled for you? If your deepest secret became public, would you be forgiven? Is your best friend your kindest friend? Is it any way cruel to give a dog a name? Is there anything you feel a need to confess? You know it’s a “murder of crows” and a “wake of buzzards” but it’s a what of ravens, again? What is it about death that you’re afraid of? How does it make you feel to know that it’s an “unkindness of ravens”?
Here’s Geico’s 2014 Hump Day commercial in case you missed it…for the last Hump Day of 2014.
Notes: Background on Caleb/Wednesday/Hump Day Posts and Geico’s original commercial: Let’s Hit it Again
Was it a coincidence two days before Christmas? Maybe. Maybe not. In an excellent op-ed essay by David Brooks in yesterday’s morning paper and in “Calvary,” yesterday’s evening movie, the themes were conjoined. Doubt and Faith. I share some excerpts on both below.
David Brooks, NY Times, The Subtle Sensations of Faith:
With Hanukkah coming to an end, Christmas days away, and people taking time off work, we are in a season of quickened faith. When you watch people exercise that faith, whether lighting candles or attending Midnight Mass, the first thing you see is how surprising it is. You’d think faith would be a simple holding of belief, or a confidence in things unseen, but, in real life, faith is unpredictable and ever-changing…
Marx thought that religion was the opiate of the masses, but Soloveitchik argues that, on the contrary, this business of living out a faith is complex and arduous: “The pangs of searching and groping, the tortures of spiritual crises and exhausting treks of the soul purify and sanctify man, cleanse his thoughts, and purge them of the husks of superficiality and the dross of vulgarity. Out of these torments there emerges a new understanding of the world, a powerful spiritual enthusiasm that shakes the very foundations of man’s existence.”
Insecure believers sometimes cling to a rigid and simplistic faith. But confident believers are willing to face their dry spells, doubts, and evolution. Faith as practiced by such people is change. It is restless, growing. It’s not right and wrong that changes, but their spiritual state and their daily practice. As the longings grow richer, life does, too. As Wiman notes, “To be truly alive is to feel one’s ultimate existence within one’s daily existence.”
Xan Brooks, The Guardian, Calvary review – ‘a terrific black comedy that touches greatness‘: [Read more…]
You don’t know why you’re exhausted?
You’re fighting a war inside your head every single day.
If that’s not exhausting I don’t know what is.
Who knows, maybe those two rogue leaders, Gandhi and Jesus, were right – a loving response changes the people who would beat the shit out of you, including yourself, of course. Their way, of the heart, makes everything bigger. Decency and goodness are subversively folded into the craziness, like caramel ribbons into ice cream. Otherwise, it’s about me, and my bile ducts, and how unique I am and how I’ve suffered. And that is what hell is like. So whom was I going to echo, Gandhi and Jesus, or Tammy and me?
Look, can you give me a minute to decide?
Do you want to be happy, or do you want to be right? Hmm. Let me get back to you on this.
~ Anne Lamott. “Pirates.” Small Victories: Spotting Improbable Moments of Grace
I just finished Lamott’s new book and loved it. It’s my first foray into her work. Be forewarned, this book has more than its fair share of suffering and grief, but the sun’s rays do peak in. I’m drawn to her rants and her candor on her neuroses (but could have done without the political barbs). I marvel at the authenticity of her self-reflection and the beauty and clarity of her observations of life. The book roars out of the gate for the first half and tends to run out of steam. For Lamott lovers, you should note that this book is a compilation of new and selected (aka previously published) essays.
Find the book on Amazon here: Small Victories: Spotting Improbable Moments of Grace
Photo Credit: TimeOut
Source: themetapicture (Thank you Susan)
The worst possible thing you can do when you’re down in the dumps, tweaking, vaporous with victimized self-righteousness, or bored, is to take a walk with dying friends. They will ruin everything for you.
First of all, friends like this may not even think of themselves as dying, although they clearly are, according to recent scans and gentle doctors’ reports. But no, they see themselves as fully alive. They are living and doing as much as they can, as well as they can, for as long as they can.
They ruin your multitasking high, the bath of agitation, rumination, and judgment you wallow in, without the decency to come out and just say anything. They bust you by being grateful for the day, while you are obsessed with how thin your lashes have become and how wide your bottom.
~ Anne Lamott, “Prelude: Victory Lap“, Small Victories: Spotting Improbably Moments of Grace
you know when someone asks you a general question like “how are you” or jokingly says something like “do you ever even sleep” and there’s that split-second moment where you consider actually telling them things
like whether they’re good or bad things whether they’re sad or happy or anything at all you just
think about telling them
but you don’t
You can change your clothes, but you gotta love your bones, baby.
- Jessica Blankenship, How To Not Fail At Your New Years Resolution
French Canadian artist Steve Spazuk is from Lery, Quebec. Here’s his bio from Spazuk.com:
For the past 14 years, Spazuk has developed and perfected a unique technique that allows him to use the flame of a candle or the flame of a torch as a pencil to create his paintings with trails of soot. Using various tools, he intuitively sculpt the plumes of soot left behind in response to the shapes that appear on the canvas.
Spontaneity and chance are the heart and soul of his creative process. He does not censor. He does not direct. Spazuk opens himself to the experience. This in-the-moment creative practice coupled with the fluidity of the soot, creates a torrent of images, shadows and light. Fuelled by the quest of a perfect shape that has yet to materialize, he concentrate in a meditative act and surrender to capture the immediacy of the moment on canvas.
The human body fascinates him. Bodies in a perpetual metamorphosis are the language with which he express his thoughts on the human condition: emotions, opinions, stories that are born of his uncensored psyche. Spazuk often works piece by piece, collecting a multitude of unique elements that he assembles into mosaics. Entities that, once grouped together, afford a different meaning and provide a new perspective that is both novel and complementary. He sees fragments of things, events, people, as a powerful metaphor of modern life and, even more so, of the way we perceive things through our senses and our minds. His work expresses how every one of us is a constituent fragment of the human community.
Check out an interview with Steve Spazuk and more of his work here.
Be sure to check out his website and his gallery of portraits here: Steve Spazuk Portraits. Wow!
Here’s a self-portrait:
The quote, paired with Meryl Streep photographs, was erroneously attributed to Streep and has been going viral on the internet. The quote was written by Portuguese self-help author/life coach José Micard Teixeira. It’s not clear that this quote has any connection to Meryl Streep, but, we love the quote and we love Meryl, so we’re going with it…all of it.
“I no longer have patience for certain things, not because I’ve become arrogant, but simply because I reached a point in my life where I do not want to waste more time with what displeases me or hurts me. I have no patience for cynicism, excessive criticism and demands of any nature. I lost the will to please those who do not like me, to love those who do not love me and to smile at those who do not want to smile at me. I no longer spend a single minute on those who lie or want to manipulate. I decided not to coexist anymore with pretense, hypocrisy, dishonesty and cheap praise. I do not tolerate selective erudition nor academic arrogance. I do not adjust either to popular gossiping. I hate conflict and comparisons. I believe in a world of opposites and that’s why I avoid people with rigid and inflexible personalities. In friendship I dislike the lack of loyalty and betrayal. I do not get along with those who do not know how to give a compliment or a word of encouragement. Exaggerations bore me and I have difficulty accepting those who do not like animals. And on top of everything I have no patience for anyone who does not deserve my patience.”
Source: So Many Cute Animals. (Photo so much like Zeke, not Zeke!)
I’ve been searching for a passage that I read weeks ago. I can see the font size, the paragraph, the white space, the light above and below the words. Strings that dangle in my consciousness. Yet, despite my end of day Google searches, I’ve come up empty. It goes something like this:
People ask you: “How are you doing?” You turn on the auto-reflex-reflux. You pound the drums with your sticks and dust up dregs. You don’t want others to know, but Life is Good. Very good actually. So, why? Why lead with the dark?
She stands at the turn of Exit 10. The front end of the last mile of my morning commute. The entire elapsed time is less than five seconds, tops. I turn the corner, I look for her, and I’m gone. And she’s gone.
She’s standing with other early morning commuters waiting for the Bus.
Correction. [Read more…]
Liz Danzico is the creative director for NPR. Here’s how she opens her post:
I think a lot about what I would say to the younger version of myself if I met her again, if I met her through the still moments of all the motion of youth — when she was sitting at the piano, or if I saw her alone on the playground, or if I watched her read, voice quivering, her short stories in front of the class…
Don’t miss the rest of her post here: Stillness in Motion.
You are looking for the “right” word.
For a paper, an article, a story, a blog post, a presentation – – you’re trying to express a intense moment, a feeling, an emotion.
Words, sentences, paragraphs, a continuous stream flowing…your back and forth rhythm now rudely interrupted. You have hit The Wall. You can’t climb over without the Word.
It’s right there. On the tip of your tongue. Your mind is searching. You feel the Word. It’s Sizzling, Searing. The perfect Word to capture the moment, the feeling.
Yet, you come up Empty.
Your frustration grows. You use a substitute. You re-read the passage again, and again. The Word doesn’t fit. It doesn’t feel right. It’s an impostor. You go with it anyway. And it hangs, like an ill-fitting jacket or pair of oversized shoes.
Suppose we try to recall a forgotten name. The state of our consciousness is peculiar. There is a gap therein; but no mere gap. It is a gap that is intensely active. A sort of wraith of the name is in it, beckoning us in a given direction, making us at moments tingle with the sense of our closeness, and then letting us sink back without the longed-for term. If wrong names are proposed to us, this singularly definite gap acts immediately so as to negate them. They do not fit into its mould. And the gap of one word does not feel like the gap of another, all empty of content as both might seem necessarily to be when described as gaps. . . . The rhythm of a lost word may be there without a sound to clothe it; or the evanescent sense of something which is the initial vowel or consonant may mock us fitfully, without growing more distinct. Every one must know the tantalizing effect of the blank rhythm of some forgotten verse, restlessly dancing in one’s mind, striving to be filling out with words.
~ William James, 1890
And, then you read a poem that captures this, all of this.
She’s gone and done it.
I am all for aha!! moments and other peak experiences,
but my most lasting transformation happened in the subtleties,
in those private moments of decision as to which path to walk.
In every moment, there is a choice:
Will I open, or close?
Will I take responsibility, or blame?
Will I download the learning, or deflect?
Will I go to my edge, or fall back to safety?
Will I honor my intuition, or listen to the world?
Thousands, millions of moments of decision that inform who we become.
Getting out of Unconscious Prison is a life-long journey.
True path is built with choices.
I choose authenticity.
~ Jeff Brown
And if he had to choose between his books and his family? There’s no hesitation.
I adored having children.
Work and fatherhood have kept me sane.
The impulse to work is like a survival instinct.
~ Robert McCrum with English Novelist Ian McEwan
Don’t miss Robert McCrum’s great column on Ian McEwan in the Guardian here:
Ian McEwan, 66, is an English novelist and screenwriter. In 2008, The Times featured him on their list of “The 50 greatest British writers since 1945.” He won the Man Booker Prize with Amsterdam (1998). In 2001, he published Atonement, which was made into an Oscar-winning film starring Keira Knightley and James McAvoy. (Source: Wiki)
n. the awareness of the smallness of your perspective, by which you couldn’t possibly draw any meaningful conclusions at all, about the world or the past or the complexities of culture, because although your life is an epic and unrepeatable anecdote, it still only has a sample size of one, and may end up being the control for a much wilder experiment happening in the next room.
Related Posts from Dictionary of Obscure Sorrows:
He considers his latest film (The Giver), co-starring Taylor Swift and Meryl Streep, a cautionary tale. “I think it’s an impulse for human beings to want to suffer less, and we’re kind of addicted to comfort at all costs—at least I am. And of course comfort has a price,” he says. “So the film is asking…what’s the true cost of our comfort, and what are we willing to pay?”
What is he too comfortable with? Sitting on a long white leather couch at a photo studio in New York, Mr. Bridges holds up a half-eaten almond croissant. “I love taste, and I love the immediate gratification of flavor and that satisfying swallow you feel all over,” he says. “But I look at my body and I should say, ‘Is that really the most healthy thing for me?'”…
But leaning back and eyeing the last of his croissant, he says that he is constantly dealing with the idea of perfection. “Wouldn’t it be great if I stopped eating this and worked out every day?” he asks. “Imperfection and perfection go so hand in hand, and our dark and our light are so intertwined, that by trying to push the darkness or the so-called negative aspects of our life to the side…we are preventing ourselves from the fullness of life.”
He’s referring to one of his favorite quotations by the Russian author Alexander Solzhenitsyn: “…the line dividing good and evil cuts through the heart of every human being. And who is willing to destroy a piece of his own heart?” Mr. Bridges interprets it as a reason not to judge other people. “You’re saying that guy’s evil, somebody else is saying you’re evil, and we all have that in common, but as The Dude might say, ‘That’s just your opinion, man,’ ” he says. “What I’m proposing is that we’re all connected, and we’re all in it together.”
~ Alexandra Wolfe in her interview of 64-year old actor Jeff Bridges
Read full interview in wsj.com: Things That Jeff Bridges Can’t Abide
Notes: NY Times Movie Review of The Giver
The endless, useless urge to look on life comprehensively, to take a bird’s-eye view of ourselves and judge the dimensions of what we have or have not done: this is life as a landscape, or life as resume. But life is incremental, and though a worthwhile life is a gathering together of all that one is, good and bad, successful and not, the paradox is that we can never really see this one that all of our increments (and decrements, I suppose) add up to. “Early we receive a call,” writes Czeslaw Milosz, “yet it remains incomprehensible, / and only late do we discover how obedient we were.”
— Christian Wiman, My Bright Abyss: Meditation of a Modern Believer (Farrar, Straus, and Giroux, 2013)
I finished this book last night. As Henry David Thoreau said: “Read the best books first, or you may not have a chance to read them at all.”
[…] his intuition was luminous from the instant you met him. So was his intelligence. A lot of actors act intelligent, but Philip was the real thing: a shining, artistic polymath with an intelligence that came at you like a pair of headlights and enveloped you from the moment he grabbed your hand, put a huge arm round your neck and shoved a cheek against yours; or if the mood took him, hugged you to him like a big, pudgy schoolboy, then stood and beamed at you while he took stock of the effect.
Philip took vivid stock of everything, all the time. It was painful and exhausting work, and probably in the end his undoing. The world was too bright for him to handle. He had to screw up his eyes or be dazzled to death. Like Chatterton, he went seven times round the moon to your one, and every time he set off, you were never sure he’d come back, which is what I believe somebody said about the German poet Hölderlin: Whenever he left the room, you were afraid you’d seen the last of him. And if that sounds like wisdom after the event, it isn’t. Philip was burning himself out before your eyes. Nobody could live at his pace and stay the course, and in bursts of startling intimacy he needed you to know it.
[…] He seemed to kiss his lines rather than speak them. Then gradually he did what only the greatest actors can do. He made his voice the only authentic one, the lonely one, the odd one out, the one you depended on amid all the others. And every time it left the stage, like the great man himself, you waited for its return with impatience and mounting unease.
We shall wait a long time for another Philip.
~ John le Carré on Philip Seymour Hoffman, Staring at the Flame
“All photographs are memento mori. To take a photograph is to participate in another person’s (or thing’s) mortality, vulnerability, mutability. Precisely by slicing out this moment and freezing it, all photographs testify to time’s relentless melt.”
— Susan Sontag
The way in which art creates desire, I guess that’s everywhere. Is there anyone who hasn’t come out of a movie or a play or a concert filled with an unnameable hunger? …To stand in front of one of [Louis Sullivan’s] buildings and look up, or in front, say, of the facade of Notre Dame, is both to have a hunger satisfied that you maybe didn’t know you had, and also to have a new hunger awakened in you. I say “unnameable,” but there’s a certain kind of balance achieved in certain works of art that feels like satiety, a place to rest, and there are others that are like a tear in the cosmos, that open up something raw in us, wonder or terror or longing. I suppose that’s why people who write about aesthetics want to distinguish between the beautiful and sublime… Beauty sends out ripples, like a pebble tossed in a pond, and the ripples as they spread seem to evoke among other things a stirring of curiosity. The aesthetic effect of a Vermeer painting is a bit like that. Some paradox of stillness and motion. Desire appeased and awakened.
~ E.O. Wilson
Source: Mme Scherzo
— Maya Angelou (April 4, 1928 – May 28, 2014). RIP.
Anger at humans,
my own kind –
I remember how it carried me,
joyous in self’s self-exaltation,
through a narrow opening as at birth
into the great hollow of the dark itself
where the unappeasable,
in unending revenge for revenge,
tread each alone
the circle of no
beginning or end.
And that is Hell.
~ Wendell Berry, Sabbaths 2010 X
From Brainpickings: “In 1973, one man sent a distressed letter to E.B. White, lamenting that he had lost faith in humanity. The beloved author, who was not only a masterful letter-writer but also a professional celebrator of the human condition and an unflinching proponent of the writer’s duty to uplift people, took it upon himself to boost the man’s sunken heart with a short but infinitely beautiful reply, found in Letters of Note: Correspondence Deserving of a Wider Audience.”
Dear Mr. Nadeau:
As long as there is one upright man, as long as there is one compassionate woman, the contagion may spread and the scene is not desolate. Hope is the thing that is left to us, in a bad time. I shall get up Sunday morning and wind the clock, as a contribution to order and steadfastness.
Sailors have an expression about the weather: they say, the weather is a great bluffer. I guess the same is true of our human society — things can look dark, then a break shows in the clouds, and all is changed, sometimes rather suddenly. It is quite obvious that the human race has made a queer mess of life on this planet. But as a people we probably harbor seeds of goodness that have lain for a long time waiting to sprout when the conditions are right. Man’s curiosity, his relentlessness, his inventiveness, his ingenuity have led him into deep trouble. We can only hope that these same traits will enable him to claw his way out.
Hang on to your hat. Hang on to your hope. And wind the clock, for tomorrow is another day.
E. B. White
The collegiate alumni chairperson of Rachel’s sorority asked the parents of graduating seniors to write a letter to their daughter, which was read out loud to them by their little sister at the traditional Senior Send Off event for the sorority. The event was held this morning. Here was Rachel’s text to us.
Here’s our letter to Rachel:
Let’s just say that you were difficult from the get-go. Your Mom and Dad tried for 9 years (9 YEARS!), and we almost gave up. And then you just appeared. Voila! A tadpole on a monitor. Roll the tape forward 9 months plus 23 hours of labor (23 HOURS!) – – your Mother threw up her hands and Doc pulled out the scalpel.
They say that all babies are beautiful. Hmmmmm. The forceps stretched your head. Your eyes were disproportionately LARGE and bulging. You were WAILING. I had to double pump the scissors with my trembling hands to untether you from your Mother. I was flooded with images of E.T. – – “E.T. Go Home!” I needed assurances from Doc that all of this, this, was normal.
You had colic for 6 months. You started up when I arrived home from work and stopped during our long walks down Biscayne Blvd. You were strapped in a papoose tight to my chest. With the fronds on the palm trees clapping in the gentle evening breeze, there you were looking up at me. Sobbing, then sniffling, then quiet.
We’d come home. I’d turn on Annie Lennox – – “Walking on Broken Glass” – – and you would settle. I would slump down on the couch, exhausted, and let you sleep on my chest. The little hair that you had, was matted and glistening with sweat. Your cheeks and eyes, swollen and red. Your little fingers clenched my t-shirt. Your heart pitter-pattered on my chest. And your intermittent, puffs-puffs of baby breath – – you, all of you, a miracle.
And then the frames would pass. Minutes, days, weeks and years. All accelerating.
You left home to go to College. We cried on the long drive home.
You lit up sharing your experiences with Special Olympics, Habitat for Humanity and St. Jude Children’s Hospital – – freezing me in place as I listened to your Sunday night updates. I have yet to find my God, but I could feel something working me through you.
My chest swelled when you were named President of your Sorority. When you made Dean’s List. When you landed your Summer Internships. When you received your first job offer. (I just cut the cord. We just dropped you off for your freshman year. Where did it go? Sand slipping through my fingers.)
I know you are listening – listening to these words – sitting among your friends.
It’s time. Time for me to put on my headphones and play “Walking on Broken Glass” in a loop. And roll the time back to remember the beautiful moments in between then and now.
I can feel you.
I can feel your fingers clenching my t-shirt.
I can feel your puffs of breath.
I can feel your heart beating.
And when your heart beats, my heart beats faster.
Love you Honey.
Mom & Dad
Werner Herzog is interviewed by The Talks:
I do not relate to things such as popularity. It is completely vague and unknown to me what it means. I still live basically the same life. I do not have and I do not need material things. My material world is extremely small and limited.I own one single suit that I’m wearing right now and in the last 25 years I’ve never had another suit. And the shoes that I’m wearing I’ve been wearing for 3 years and they are my only pair of shoes. I need to replace them because they are starting to come apart. I don’t need 20 pairs of shoes. I have a car that I’ve had for 12 years. It’s fine, I enjoy life and things are very basic. I don’t have social networks in the Internet for example. I don’t even have a cell phone. I’m probably the last holdout.
I just don’t want to be available all the time. I love to connect with people but in a more fundamental way. I never go to parties, but I invite friends and I cook for them. We sit around a table, maximum 6 people, because if there are more people there is no space around the table. And when we speak to each other, everyone speaks about the same topic. Whereas when you are at a party, there are 200 people and loud music and in each corner there is a different topic, and small talk.
I cook meals for friends or for people for whom I care. I cook with my wife, but sometimes when it comes to a solid steak I do that myself. It’s a great joy to have discourse and while this is going on I take the steak and serve it and have a good bottle of wine. It’s more fundamental, the kind of social networking that I do.
Read full interview: The Talks
Werner Herzog, 71, is a German film director, producer, screenwriter, and actor; and an opera director. Herzog is considered one of the greatest figures of the New German Cinema. Herzog’s films often feature heroes with impossible dreams, people with unique talents in obscure fields, or individuals who are in conflict with nature. French filmmaker François Truffaut once called Herzog “the most important film director alive.” American film critic Roger Ebert said that Herzog “has never created a single film that is compromised, shameful, made for pragmatic reasons or uninteresting. Even his failures are spectacular.”
“I became aware of the world’s tenderness, the profound beneficence of all that surrounded me, the blissful bond between me and all of creation, and I realized that the joy I sought in you was not only secreted within you, but breathed around me everywhere, in the speeding street sounds, in the hem of a comically lifted skirt, in the metallic yet tender drone of the wind, in the autumn clouds bloated with rain. I realized that the world does not represent a struggle at all, or a predaceous sequence of chance events, but the shimmering bliss, beneficent trepidation, a gift bestowed upon us and unappreciated.”
– Vladimir Nabokov [Read more…]
~ Josef Albers
Josef Albers (1888 – 1976) was a German-born American artist and educator whose work, both in Europe and in the United States, formed the basis of some of the most influential and far-reaching art education programs of the twentieth century. In Poems and Drawings, first published in 1958, Josef Albers attempted to penetrate the meaning of art and life by the simplest, most disciplined means. This project was extremely important to Albers, who used its format to create complementary forms in both word and line that appear deceptively simple until they begin to disclose the author’s insights into nature, art, and life. Conceived as a kind of artist’s book, the publication features 22 of Albers’s refined line drawings alongside the same number of his original poems—each appearing in both English and German. (Source: Wiki & Google)
Vitry-sur-Seine by David Walker.
Street/urban art. What this man can do with a can of spray paint is astonishing.
Find more here: art of David Walker
This is “Quail Day” – an oil painting by Linda Tracey Brandon. Brandon is a graduate of the University of Michigan. Since then she has studied representational art through many years of workshops, classes and private instruction. Her focused study of the great masters of the past and intense daily practice has resulted in a uniquely evolving point of view. Linda has studied with many of the best representational artists working today and currently teaches painting and drawing at Scottsdale Artists’ School in Scottsdale, Arizona. Linda has excelled in painting the portrait and the figure. In 2006, she won a Certificate of Excellence at the Portrait Society of America’s International Portrait Competition, and in 2005 she won an Exceptional Merit Award from the Portrait Society of America’s International Portrait Competition. Her portraits hang in many homes, businesses and institutions. Find more of her work at her website here. You can find her blog here.
Source: Sensual Starfish
“You are meant to fight. When you are sick, your body fights for its right to function. When you hold your breath, your body fights for its right to breathe. There are billions of tiny events—from the surface of your skin, down to the very cells of your body—that have to happen in order for you to be simply sitting here today. If your most minuscule parts haven’t given up yet,
Why should you?”
“The mind of a writer can be a truly terrifying thing. Isolated, neurotic, caffeine addled, crippled by procrastination, consumed by feelings of panic, self-loathing and soul-crushing inadequacy… and that’s on a good day.”
- Robert De Niro
There’s no remedy, I suppose — this body
just made from the beginning to be shocked,
constantly surprised, perpetually stunned,
poked and prodded, shaken awake,
shaken again and again roughly, rudely,
then left, even more bewildered,
even more amazed.
—Pattiann Rogers, closing lines to “Till My Teeth Rattle.”
An intellectual? Yes. And never deny it. An intellectual is someone whose mind watches itself. I like this, because I am happy to be both halves, the watcher and the watched. ‘Can they be brought together?’ This is a practical question. We must get down to it. ‘I despise intelligence’ really means: ‘I cannot bear my doubts.’
— Albert Camus
I hear the wind blow,
And I feel that it was worth being born
just to hear the wind blow.
~ Fernando Pessoa
Where’s Caleb on Hump Day? Merzouga, Morocco. Here he’s posing with his friend before a long walk in the desert…
Source: Russell Bevan
Most of the pain you’re dealing with are really just thoughts.. ever think of that?