Kate Winslet: “I’m proud of those silences”

At home, on most days, she is up at 6 a.m., cooking breakfast and getting the kids ready for school—not the stereotypical image of a movie star. “Do you have to use that word?” she asks, wincing. “I’ve always been so uncomfortable with that. I just don’t feel like one, and I don’t live like one either—not the way I imagine a proper movie star living.” […]

I didn’t plan on its being that way,” Winslet says. “And f— me, it hasn’t been easy, you know.” Noting that the tabloids tried and failed to detail how and why her earlier marriages unraveled, she adds, “No one really knows what has happened in my life. No one really knows why my first marriage didn’t last; no one knows why my second didn’t. And I’m proud of those silences.” […]

She admits to a lot of self-criticism when she was younger, but “thank God all that s—’s evaporated,” she says. “We all focus on our bodies in our late teens and our early 20s, in a way that is just not cool or healthy. In your 30s, you become aware of staying fit. Now I view my physical self as an instrument that I have to keep going because I’m a mother, and I have to be as healthy as I can for those three people who need me—more than I need for myself to be in a f—ing nude scene.” […]

Recently, Winslet has found herself in a new phase of her career. “When you get older, you’ve got to become more interesting. That’s why you have to choose the right parts,” says Primorac, mentioning the resolution of today’s digital cameras, which magnify every physical flaw. “I’ve done lots of films where Kate is the amazingly sexy leading lady, but now she’s more interested in the parts where she can frown and she can have wrinkles in her forehead. Instead of worrying, ‘Am I going to look good next to Liam Hemsworth?’—which she still does, by the way—she’s more interested in a great role.” […]

I want to read a script and go, ‘Holy s—, how the hell would I ever play that role?’ And then find myself somehow playing it,” she says, laughing. “I want to always be doing this. I want to grow and I want to change and I want to freak myself out.” Part of that process will be turning 40 this month, a birthday Winslet is sanguine about. “I have not wasted a second,” she says with a smile. “Good God, have I made the most of those 40 years.”

~ Elisa Lipsky-Karasz, Interview with Kate Winslet

Read entire interview here: Director’s Darling: Kate Winslet Stars in the Highly Anticipated Film ‘Steve Jobs’

SMWI*: Swim (60 sec)

Notes: SMWI* = Saturday morning workout inspiration.

Haut Vol (68 sec)

Climax at the finish…

Take me there…


Hopper & Shirley: Morning Sun


“In Hopper’s paintings we can stare at the most familiar scenes and feel that they are essentially remote, even unknown. People look into space. They seem to be elsewhere, lost in a secrecy the paintings cannot disclose and we can only guess at. It is as if we were spectators at an event we were unable to name; we feel the presence of what is hidden, of what surely exists but is not revealed. By formalizing privacy, by giving it a space where it can be witnessed without being violated. Hopper’s rooms become sad havens of desire. We want to know more about what goes on in them, but of course we cannot. The silence that accompanies our viewing seems to increase. It is unsettling. It weighs on us like solitude. “

— Mark Strand, Hopper

The first image is Edward Hopper’s 1952 painting titled Morning Sun. The second, is a screen shot from the film “From Shirley – Visions of Reality” where Austrian Director Gustav Deutsch has recreated 13 of Hopper’s better-known paintings with images that bear an uncanny cinematic recreation of Hopper’s works. Hopper’s paintings are brought alive by the film, telling the story of a woman, whose thoughts, emotions and contemplations lets us observe an era in American history. Shirley is a woman in America in the 1930s, ‘40s, ‘50s, and early ‘60s.” (Phaidon)

Credit: Mark Strand Quote and inspiration: To Escape From a CommonPlace of Existence


Forrest Gump


Designer Nick Barclay, takes some of our favorite films, like The Matrix, The Lord of the Rings, and Forrest Gump, and turns them into clever works of art. Check out his other movie posters here: My Modern Met.

The poster above is for the movie Forrest Gump.  If you need some help to understand what it represents, the answer is here: Forrest Gump.

Stillness Arises

Wonderful. Watch. Wow!

I just want to rise so high that no one can reach me and nothing to prove. I just want to get where you just awaken your body and soul to something. Stillness arises within me. Nature brought me to stillness.

Find full transcript full below. [Read more…]

A Guide For the Perplexed

a guide for the perplexed

I’ve been chewing through a new book titled “Werner Herzog: A Guide for the Perplexed: Conversations with Paul Cronin.” Werner, 72, is an award winning German film director, producer and screen writer for Fitzcarraldo, The Enigma of Kaspar Hauser, Woyzeck and Where the Green Ants Dream.

Why choose this book out of the thousands available to you?

No idea. Hard to explain why I was drawn to this. I do recall my finger hovering over the “BUY NOW” button on Amazon and wondering if this will be yet another abandoned, start-but-not-come-close-to-finishing e-book, in my groaning stack of Incompletes weighing on my consciousness.

Why a book by a film director? Do you have interest in film production?


Why this book then? A dense 600-pager with footnotes?

Pay attention. Refer back to question 1. (No idea). In hindsight, I do think that perhaps I was attracted by the potential of finding my community, a brotherhood in “A Guide for the Perplexed” and possibly finding my way out. And I heard a bell – – far softer than a Siren, gentler than a Clarion Call, a chime of sorts from William Stafford: “Listen—something else hovers out here, not color, not outlines or depth when air relieves distance by hazing far mountains, but some total feeling or other world almost coming forward, like when a bell sounds and then leaves the whole countryside waiting.”

So, what do you think of the book? [Read more…]

Le Petit Prince


Antoine de Saint-Exupéry’s 1943 classic The Little Prince is one of the best-selling books of all time.  It has now been adapted into a papercraft animated film scheduled for release in 2015.  Here’s a short (and beautiful) French trailer of what’s coming.

Find the English language film trailer for The Little Prince here: The Little Prince Trailer

Credits: Thank you SensualStarfish

Se viene conmigo / Is Coming With Me

I’m just a step away
And for the first time
I don’t want to keep walking
I’m fine here
I’m this
I’ve gotten used to this
And this has gotten used to me
I don’t mean that after this step I’ll stop being this
But the fear to the next chapter
The fear to my character walking over to the other side of this imaginary line overwhelms me
It gives me the creeps and the premature nostalgia overtakes my body

This is how I am, because here I walk
But who knows how I will be over other asphalts
I find myself on one side of the line
The one from the present, with a past behind
This is everything that has filled my bag during this time
This is what I am
And I like it

But even if it were not so
I could not escape
There’s no emergency exit to escape from one’s self fire
On the other end of the stripe is my next time
With ambitions, dreams and promises to fill another bag
With other people, other places, other flavors and sounds
I”m afraid of stepping beyond the line
I’m afraid of leaving this asphalt, grey, in which nothing stands out
I’m afraid of changing the color of my nights, thought I never liked this light
I’m afraid of putting out this fire. Of smelling no memories.
I’m afraid of losing this form. I’m afraid of transforming myself.

I am this face.
I am this floor I step on
I am this land, tilled by others.
I am this weather.
I am this wine.
I am this square.
I am this plain.
I am this river.
And this city.
I am the street.
I am what my body oozes because of this I fed it.
And wherever I will be, this broth I carry it with me
This is what I am
And no matter how many lines I cross, my essence
Is coming with me

~ Maria Strada