It never happens like that

Heidi-Julavits
What I failed to mention, however, was my recent worry: As a writer, I have mistaken how to use words. I write too much. I write like some people talk to fill silence. When I write, I am trying through the movement of my fingers to reach my head. I’m trying to build a word ladder up to my brain. Eventually these words, help me come to an idea, and then I rewrite and rewrite and rewrite what I’d already written (when I had no idea what I was writing about) until the path of thinking, in retrospect, feels immediate. What’s on the page appears to have busted out of my head and traveled down my arms and through my fingers and my keyboard and coalesced on the screen. But it didn’t happen like that; it never happens like that.

~ Heidi Julavits, The Folded Clock: A Diary


Notes: Author Bio: Heidi Julavits.  Photo: Bustle.com

We exist together in a little patch of warmth and light

goodnight-moon

To curl up with children and a good book has long been one of the great civilizing practices of domestic life, an almost magical means of cultivating warm fellow feeling, shared in-jokes and a common cultural understanding. Harvard professor Maria Tatar has written of its origins in medieval fireside storytelling, “before print and electronic media supplied nighttime entertainments.”

Certainly in the modern era there is something quaint about a grown-up and a child or two sitting in a silence broken only by the sound of a single human voice. Yet how cozy, how impossibly lovely it is! Unlike tech devices, which atomize the family by drawing each member into his own virtual reality, great stories pull people of different ages toward one another, emotionally and physically. When my children were small, I would often read with my eldest daughter tucked in by my side, the boy draped like a panther half across my shoulders and half across the back of the sofa, a tiny daughter on either knee, and the baby in my lap. If we happened to be on one of our cycles through “Treasure Island,” Robert Louis Stevenson’s swashbuckling classic, my husband would come to listen, too, and stretch out on the floor in his suit and tie and shush the children when they started to act out the exciting bits.

“We let down our guard when someone we love is reading us a story,” Ms. DiCamillo says. “We exist together in a little patch of warmth and light.”

~ Meghan Cox Gurdon, The Great Gift of Reading Aloud

Look at me when I talking to you

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“I’ve been finding it harder and harder to concentrate on words, sentences, paragraphs. Let alone chapters. Chapters often have page after page of paragraphs. It just seems such an awful lot of words to concentrate on, on their own, without something else happening. […]

When the people at the New Yorker can’t concentrate long enough to listen to a song all the way through, how are books to survive? […]

It makes me feel vaguely dirty, reading my phone with my daughter doing something wonderful right next to me, like I’m sneaking a cigarette. Or a crack pipe. […]

One time I was reading on my phone while my older daughter, the four-year-old, was trying to talk to me. I didn’t quite hear what she had said, and in any case… She grabbed my face in her two hands, pulled me towards her. “Look at me,” she said, “when I’m talking to you.” She is right. I should. […]

Spending time with friends, or family, I often feel a soul-deep throb coming from that perfectly engineered wafer of stainless steel and glass and rare earth metals in my pocket. Touch me. Look at me. You might find something marvelous. […]”

Hugh McGuire, Why Can’t We Read Anymore?

Don’t miss how McGuire changes and his explanation on why books are important.  Full post here.


Photo Source: Choi Moi

Write Shorter

write,writing,writer,blog,

Read more by Josh Bernoff: 10 top writing tips and the psychology behind them


Smell it. Ohio Soil. Humus.

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Spent the day in Cambridge Library.

The Library a wilderness of books. The volumes of the Fifteenth, Sixteenth, and Seventeenth Centuries, which lie so near on the shelf, are rarely opened, are effectually forgotten and not implied by our literature and newspapers. When I looked into Purchas’s Pilgrims, it affected me like looking into an impassable swamp, ten feet deep with sphagnum, where the monarchs of the forest, covered with mosses and stretched along the ground, were making haste to become peat. Those old books suggested a certain fertility, an Ohio soil, as if they were making a humus for new literatures to spring in. I heard the bellowing of bullfrogs and the hum of mosquitoes reverberating through the thick embossed covers when I had closed the book. Decayed literature makes the richest of all soils.

~ Henry David Thoreau, Journal of Henry David Thoreau, 1837-1861


Source: Brainpickings

Saturday Morning

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There were a lot of other things he no longer had to deal with.
He was like one of those horses,
who having shaken off the jockey,
slow down, dreamily, to a gentle trot,
while the others are still bursting their lungs
in pursuit of a finish line and an order of arrival.

Alessandro Baricco, from Mr. Gwyn


Notes: Photo Source. Quote: The Journey of Words

Unread. And looming.

books-reading-illustration-gif

My reading backlog, tweaking me, ever present, ever growing.
Unread books on night stand.
Unread eBooks slumbering on my Kindle.
Unread magazines. Hard copy + digital.
Unread newspapers. Hard copy + digital.
Unread articles and blog posts on my Pocket App and Evernote App.
Unread emails in a reading folder on gmail.
All swelling, bulging, throbbing – an alien blob slime slowly cutting oxygen.

Kooser chanting: I travel the endless reaches of my ignorance, all of the books I haven’t read, and never will, come rolling at me out of the dark like a hail of asteroids.

Apparently, I don’t suffer my affliction alone:

“Many people are drowning in magazines, articles, newsletters, books and blogs they want or need to read. Is it possible to get to Magazine Zero?…”

“Three in four people say they feel overwhelmed some or all of the time by too much information from magazines, newspapers and other media…”

“Everybody has this deep dark feeling that they aren’t keeping up…”

“I hope at some point I’ll catch up…”

Read more on how others are coping here: How to Declutter Your Magazine Pile: Prioritize and ‘ABR —always be reading” with digital apps and iPods


Image Source: sentimientos-en-el-aire

David Carr: Try harder. Create something with your own dirty little hands.

david-carr

David Carr died last week. He overcame drug addiction, survived cancer and struggled with alcoholism. He was a best selling author, a top media columnist at The New York Times and a member of the faculty at Boston University’s communications school.  He was a “mentor to young reports and a blunt critic of those who didn’t measure up.” Here’s a excerpt from today’s paper:

NY Times: David Carr’s Last Word on Journalism, Aimed at Students:

David was interested in people, not their résumés. He didn’t care where someone went to college or who their parents were. So instead of giving his students a standard biographical blurb…David told them this, under the heading “Not need to know, but nice to know”:

“Your professor is a terrible singer and a decent dancer. He is a movie crier but stone-faced in real life. He never laughs even when he is actually amused. He hates suck-ups, people who treat waitresses and cab drivers poorly and anybody who thinks diversity is just an academic conceit. He is a big sucker for the hard worker and is rarely dazzled by brilliance. He has little patience for people who pretend to ask questions when all they really want to do is make a speech…Your professor is fair, fundamentally friendly, a little odd, but not very mysterious. If you want to know where you stand, just ask.”

He encouraged teamwork. “While writing, shooting, and editing are often solitary activities, great work emerges in the spaces between people,” David wrote, adding, “Evaluations will be based not just on your efforts, but on your ability to bring excellence out of the people around you…”

Mikaela Lefrak, 26, was his teaching assistant his first semester. “He didn’t want us to sound like everyone else,” she wrote in an email. “He wanted us to sound better. Extended metaphors should be indulged and encouraged — the stranger, the better. And clichés were poison. ‘Try harder,’ he told me constantly. ‘Create something with your own dirty little hands…’ ”

David warned there would be a heavy reading list. “I’m not sliming you with a bunch of textbooks, so please know I am dead serious about these readings,” he wrote. “Skip or skim at your peril.”

I encourage you to read the entire article. You can find it here:  David Carr’s Last Word on Journalism, Aimed at Students.

His best selling book, “The Night of the Gun,” is a memoir of addiction and recovery. I highly recommend it.  Maria Popova at Brain Pickings shared some excellent excerpts from the book in her post: Addiction to Truth.

And here are links to some of my favorite quotes by Carr:

Carr lived in New Jersey with Jill Rooney Carr and their three children. He was 58. As Scott Peck would say, he took the road less traveled and many of us are better for it.

RIP.


Credits: Photograph of David Carr in 2008 –  NY Times

 

About right

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Source: ilovecharts

Mommy!

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He headed for the school still wrapped in the warmth of this bed, the taste of cereal in his mouth, tightly holding the hand just above his head, walking as quickly as he could, taking two steps for his mother’s one, his little knapsack bouncing on his back, then came the school door, the rapid kiss goodbye, the asphalt playground with its rows of maples, the clanging bell . . . at first he took shelter from the rain under the overhang, then he joined the schoolyard games, but a few minutes later they all found themselves sitting behind Lilliputian desks, quiet and no moving around, all the body’s movements concentrated on the effort of moving the pencil down this low-ceilinged corridor called the line. Tongue stuck out, fingers numb and wrist stiff . . . little bridges, circles, tails, sticks, more little bridges … he is miles from his mother now, lost in this strange solitude called effort, in the company of all those other solitudes with their tongues stuck out . . . and now the first letters are assembled . . . lines of “a’s,” lines of “m’s,” of “q’s” (the “q” is no joke with its diving, backwards tail, but it’s a piece of cake compared to the “s” with its treacherous curves, and the “k” with its spray of lines shooting out every which way), all the difficult ones conquering so that, little by little, as if they were magnetized, the letters come together spontaneously into syllables, lines of mom and dad, and the syllables making words . . . Then, one day, his ears still humming from the commotion of the lunchroom, he contemplated the silent flowering of the word of white paper, there, before his eyes: mommy.

In a voice that quavered at first, he stumbled over the two syllables, separately. “Mom-my.” Then, suddenly, he understood. “Mommy!”… Little bridges, circles and slanting sticks . . . and you could say “Mommy!” There it was, written, right there, and he had done it! Not a combination of syllables, not a word or concept anymore. It wasn’t any mother, it was his mother, a magical transformation, infinitely more eloquent than the most faithful photographic likeness, built from nothing but circles and sticks and bridges, that have now suddenly – and forever! – become more than scratches on paper.  They have become her presence, her voice, the good way she smelled in the morning, her lap, that infinity of details, that wholeness, so intimately absolute, and so absolutely foreign as to what is written there, on the rails of the page, within the four walls of the classroom.

Lead into gold.
Nothing less.
He had just turned lead into gold.

~ Daniel Pennac, Better Than Life


Notes: