Here it is. The Beacon. For us. The Amateurs.

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A paragraph from Lucas’ first chapter, “The Value of Style,” will suffice to render his point of view, with its fine sense of perspective and proportion, plain: It is unlikely that many of us will be famous, or even remembered. But not less important than the brilliant few that lead a nation or a literature to fresh achievements, are the unknown many whose patient efforts keep the world from running backward; who guard and maintain the ancient values, even if they do not conquer new; whose inconspicuous triumph it is to pass on what they inherited from their fathers, unimpaired and undiminished, to their sons. Enough, for almost all of us, if we can hand on the torch, and not let it down; content to win the affection, if it may be, of a few who know us and to be forgotten when they in their turn have vanished. The destiny of mankind is not governed wholly by its “stars.”

~ Joseph Epstein, A Literary Education and Other Essays


Photo: Lachlan von Nubia

 

(I Want to) x (26) + BAM!

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Psychoanalytical musings of Louise Bourgeois (1911-2010).


Source: sleepwalking.nu

 

SMWI*: Your morning, your noon and night


They say this far and not further
They draw lines and call it the limit
They tell you dreamers can’t be doers
And that every Road has been walked before
But when it is what every fibre of your being craves
When it is your all
Your Morning, Your Noon, and Night
When it is what frustrates you
And rewards you
When it is what you fight for
What you lose sleep and sometimes your mind for
When it is the very fire within you
When it is your greatest strength
And your one weakness
When it born not of need
Not even of desire
But of raw passion
How can it ever be enough?
How can there ever be an end?
They say the sky is the limit
Little do they know
You don’t stop at the limit
You start from it.
Born of Passion


SMWI* = Saturday Morning Work-Out Inspiration

 

The morning is the best time

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The dirt resists you.  It is very hard to make the earth your own.  I’ve done much less to try to make it mine.  All my association with it is a kind of freedom.  Yet it’s hard to live at the ranch.  When I first came here I had to go 70 miles on a dirt road for supplies.  Nobody would go by in two weeks.  I thought the ranch would be good for me because nothing can grow here and I wouldn’t be able to use up my time gardening.  But I got tired of canned vegetables so now I grow everything I need for the year at Abiquiu.  I like to get up when the dawn comes.  The dogs start talking to me and I like to make a fire and maybe some tea and then sit in bed and watch the sun come up.  The morning is the best time, there are no people around.  My pleasant disposition likes the world with nobody in it.

~ Georgia O’Keeffe


Credits: Quote – Thank you Rob Firchau @ The Hammock Papers. Image: Sky Above The Clouds IV by Georgia O’Keeffe from mbell

Salieri. It is not up to you whether you fly or fall.

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In Mozart’s music, Salieri recognizes something divinely inspired, absolute, and perfect. But what he hears ruins him. Confronted by this beauty beyond his ability to achieve, Salieri suffers his own talent and success in agony. “Thirty years of being called ‘distinguished’ by people incapable of distinguishing!” he cries, as the Viennese cheer him, while casually disregarding the genius in their midst. “If I cannot be Mozart then I do not wish to be anything.” He gets his wish. Mozart is posthumously declared immortal, and Salieri, still alive, is utterly forgotten, the patron saint of the undistinguished. In his last line, the old, discarded court composer addresses the modern audience directly, all those who, like him, are not worth listening to. “Mediocrities everywhere—now and to come—I absolve you all,” he says, sympathizing with our failure to be Mozart. […]

The Salieri that Shaffer created hears with the ears of history; he knows all along what only later listeners could know. When Mozart arrived in Vienna in 1781, his talent was obvious and undeniable, but his genius was still a matter of opinion. He wasn’t yet Mozart. Peter Shaffer stacked the deck against Salieri by giving his self-doubts the weight of historical certainty. Because Salieri knows Mozart is a genius, his own failure then seems inevitable. But the real weight that he and every artist—every person who strives for greatness—suffers is the weight of not knowing. You must find in yourself the courage to leap off the cliff. Yet it is not up to you whether you fly or fall.

~ Glen Kurtz, Practicing: A Musician’s Return to Music


Image Credit: vjmorton

 

Fire Painter


French Canadian artist Steve Spazuk is from Lery, Quebec. Here’s his bio from Spazuk.com:

For the past 14 years, Spazuk has developed and perfected a unique technique that allows him to use the flame of a candle or the flame of a torch as a pencil to create his paintings with trails of soot. Using various tools, he intuitively sculpt the plumes of soot left behind in response to the shapes that appear on the canvas.

Spontaneity and chance are the heart and soul of his creative process. He does not censor. He does not direct. Spazuk opens himself to the experience. This in-the-moment creative practice coupled with the fluidity of the soot, creates a torrent of images, shadows and light. Fuelled by the quest of a perfect shape that has yet to materialize, he concentrate in a meditative act and surrender to capture the immediacy of the moment on canvas.

The human body fascinates him. Bodies in a perpetual metamorphosis are the language with which he express his thoughts on the human condition: emotions, opinions, stories that are born of his uncensored psyche. Spazuk often works piece by piece, collecting a multitude of unique elements that he assembles into mosaics.  Entities that, once grouped together, afford a different meaning and provide a new perspective that is both novel and complementary. He sees fragments of things, events, people, as a powerful metaphor of modern life and, even more so, of the way we perceive things through our senses and our minds. His work expresses how every one of us is a constituent fragment of the human community.

Check out an interview with Steve Spazuk and more of his work here.

Be sure to check out his website and his gallery of portraits here: Steve Spazuk Portraits.  Wow!

Here’s a self-portrait:

[Read more…]

Bethany Gosvener

bethany-gosvener-art

Bethany Gosvener is a Portland, OR based visual artist.

So here I am.  Doing exactly that,  and freaking out every bit of the way.  Ha.  I’m grateful for those few years of trial and error.  They allowed me time to develop and teach myself a variety of skills.  It may sound odd,  but even I am still shocked to see the work I’m doing.  I can’t believe I had no idea this natural ability was within me.  I am in an endless debt of gratitude to Steven for pushing me,  supporting me.  For loving me through some of the hardest times of my life.  It blows me away. I am so blessed.


Image Source: Jaimejustelaphoto

Nelly Drell’s Nelly Drell

This is a photograph of Nelly Drell, a 35 year old Estonian artist. Now this next painting, is Nelly Drell’s self-portrait, an oil on canvas. Where on the scale of awesomeness does this land? [Read more…]

In here lies why I’m not Picasso (or Mattisse, or…)

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Making Picasso’s point visible: In 2010, MoMA curators used X-ray technology to reveal the many iterations behind Henri Matisse’s painting ‘Bathers by a River,’ on which the painter worked for eight years between 1909 and 1917.


Matisse does a drawing, then he recopies it. He recopies it five times, ten times, each time with cleaner lines. He is persuaded that the last one, the most spare, is the best, the purest, the definitive one; and yet, usually it’s the first. When it comes to drawing, nothing is better than the first sketch.

~ Picasso

Despite being both a professional admirer and a personal friend of Matisse’s, he cites the painter’s notoriously methodical creative process as a betrayal of this notion that an artist should honor his or her initial creative intuition.

Read more at Brainpickings: Picasso on Work Ethic, How Creativity Works, and Why Intuitive Ideas Are More Important Than Methodical Technique


Home from work. A long day.

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Dagmar Cyrulla (Australian, Melbourne) – Ebb And Flow, 2013. Drawings: Charcoal on Paper

“Recognised for producing works of stirring psychological intensity, Cyrulla has brought a new dimension to contemporary Australian art. She neither glamorises nor romanticises her subject matter but does show an intense respect for the lives portrayed by acknowledging we all have private worlds filled with mystery.”

– Catherine Caines, September 2011, Wish Magazine The Australian

Find other fine works in her portfolio here.


Source: Thank you Your Eyes Blaze Out