- Sutra: a Sutra is an aphoristic or cryptic statement which expresses a vast idea within a few words.
- Visual Art: Art: Richard Artschwager via visual-poetry.
Using models’ faces as canvas, Russian make-up artist Valeriya Kutsan recreates famous paintings in collaboration with photographer Alexander Khokhlov and expert photo editor Veronica Ershova. Kutsan Valeriya is a stylist, image-designer, hair-dresser, make-up artist and international class master. She was born in Tomsk, Siberia (Russia). She was a make-up artist – from 1996. A Hair-dresser – from 1999. An Image-designer – from 2011.
Check out more of her amazing “2D or Not 2D” collection at her website: Kutsan Valeriya – Weird Beauty.
And don’t miss this video of Kutsan Valeriya as she works in her studio:
So often we run from feeling and yet it is only through feeling that we can know the depth of life. Only through feeling can we hold the smallest shell or bone and feel the tug of the Universe. Such raw being aches, for, as the Buddhists say, the bareness of being here is so full. I wake with this rawness and watching you sleep, I’m stopped before I start. Before I dress, I lose why I’m going anywhere. Yet wherever the day takes me- pausing to hold the groceries with the old man who packs them or seeing the neighbor’s child at the kitchen table doing homework as I walk our dog or pulling over to watch the small horse breathe his cloud over the fence- everywhere this bareness illumines. With no way to that bareness but through feeling and the listening that feeling opens. Some say I get lost in this feeling, this listening. But only if I think I know where I’m going, only if I think I know what I’m listening for. Through this bareness of being, we refresh our openness and enliven our innate connection to the one living sense. Through our unblocked, sincere response to life, we can tune our inner person with the great mysteries.
~ Mark Nepo
Yes. But, a paper bird.
Be sure not to miss the entire collection of paper birds at her website: Diana Beltran Herrera
DIANA BELTRAN HERRERA (b. 1987, Colombia) is a designer and artist that has been working over the past years with paper as the primary medium in the production of her work. After graduating from her BA degree in industrial Design, Herrera realized that she wasn’t interested in pursuing a design practice as a life career, as she was more interested in the theories of understanding of nature and material as an element that exist around us and is present in an everyday routine. For Herrera, there is a considerable distance in the relationship between human and nature, and throughout her work, she aims to repair this relation by producing elements that are constantly removed, altered and forgotten. Her work is presented as a resistance where those sculptures remain in an ideal state and act like a model of representation of a reality that doesnt suffer any change.
[…] Not just offering an object,
but the soul,
your life’s mission ignited and on fire,
burning with a thousand different flames,
all blazing and sparking together
in more than a lifetime
of sleepless nights and saturated days.
Your soul has something to say.
Let it come out and play.
~ Quaglia Cocco
…False. Not Zeke. Our Zeke wouldn’t stand still for 3 seconds. Love this dog and the spray paint art.
Now, here’s Rachel’s shot of our Zeke below (and yes, bribed to look up with a treat).
…False. Not Zeke. Our Zeke wouldn’t stand still for 3 seconds. Love this dog and the spray paint art.
Now, here’s Rachel’s shot of our Zeke in his real pose (and yes, bribed to look up for a treat).
Think of one of those Chuck Close self-portraits. The face takes up the entire image. You can see every pore. Some people try to introspect like that. But others see themselves in broader landscapes, in the context of longer narratives about forgiveness, or redemption or setback and ascent. Maturity is moving from the close-up to the landscape, focusing less on your own supposed strengths and weaknesses and more on the sea of empathy in which you swim, which is the medium necessary for understanding others, one’s self, and survival.
~ David Brooks, Introspective or Narcissistic?
I want to taste and glory in each day,
and never be afraid to experience pain;
and never shut myself up
in a numb core of non-feeling,
or stop questioning and criticizing life
and take the easy way out.
To learn and think:
to think and live;
to live and learn:
this always, with new insight,
and new love.
- Sylvia Plath, The Unabridged Journals of Sylvia Plath
“From the beginning I had a sense of destiny, as though my life was assigned to me by fate and had to be fulfilled. This gave me an inner security, and though I could never prove it to myself, it proved itself to me. I did not have this certainty, it had me.”
C. G. Jung, from Memories, Dreams, Reflections
Charmaine Olivia is an artist from Oakland California.
I spend the majority of my days continually teaching myself how to paint and draw. I am extremely curious and passionate about life, beautiful things and creativity. The best way to know me and my work is through my social networks: Tumblr, Instagram, Twitter, & Facebook. My illustrations, photography and paintings have appeared in publications, museums, galleries and private collections throughout the world. Some of my clients and projects include Urban Outfitters, Lady Gaga, Hallmark, Volcom Stone, Element, Nylon Magazine, & Inked Girls Magazine.
The hours between 12am and 6am
have a funny habit of making you feel
like you’re either on top of the world,
or under it.
~ Beau Taplin, the hours between
When you finish a book and want to start another but you think the one you just finished deserves a moment of silence.
Illustration: Adara Sánchez Anguiano
This is a photograph of Nelly Drell, a 35 year old Estonian artist. Now this next painting, is Nelly Drell’s self-portrait, an oil on canvas. Where on the scale of awesomeness does this land? [Read more...]
Making Picasso’s point visible: In 2010, MoMA curators used X-ray technology to reveal the many iterations behind Henri Matisse’s painting ‘Bathers by a River,’ on which the painter worked for eight years between 1909 and 1917.
Matisse does a drawing, then he recopies it. He recopies it five times, ten times, each time with cleaner lines. He is persuaded that the last one, the most spare, is the best, the purest, the definitive one; and yet, usually it’s the first. When it comes to drawing, nothing is better than the first sketch.
Despite being both a professional admirer and a personal friend of Matisse’s, he cites the painter’s notoriously methodical creative process as a betrayal of this notion that an artist should honor his or her initial creative intuition.
The way in which art creates desire, I guess that’s everywhere. Is there anyone who hasn’t come out of a movie or a play or a concert filled with an unnameable hunger? …To stand in front of one of [Louis Sullivan's] buildings and look up, or in front, say, of the facade of Notre Dame, is both to have a hunger satisfied that you maybe didn’t know you had, and also to have a new hunger awakened in you. I say “unnameable,” but there’s a certain kind of balance achieved in certain works of art that feels like satiety, a place to rest, and there are others that are like a tear in the cosmos, that open up something raw in us, wonder or terror or longing. I suppose that’s why people who write about aesthetics want to distinguish between the beautiful and sublime… Beauty sends out ripples, like a pebble tossed in a pond, and the ripples as they spread seem to evoke among other things a stirring of curiosity. The aesthetic effect of a Vermeer painting is a bit like that. Some paradox of stillness and motion. Desire appeased and awakened.
~ E.O. Wilson
“Recognised for producing works of stirring psychological intensity, Cyrulla has brought a new dimension to contemporary Australian art. She neither glamorises nor romanticises her subject matter but does show an intense respect for the lives portrayed by acknowledging we all have private worlds filled with mystery.”
– Catherine Caines, September 2011, Wish Magazine The Australian
Find other fine works in her portfolio here.
Source: Thank you Your Eyes Blaze Out
Caleb not coming out to play today…
Source: Anatol Knotek, visual poet from Vienna, Austria
It was in June. Circa 1995. A sticky late afternoon. I jump in a Yellow Cab to visit a client’s home to inspect Fine Art collateral. The cab pulls up to his building. A massive, black granite stone polished to a high sheen. Money.
I offer the doorman my name and the purpose for my visit. He reaches for the phone to confirm. Sir, I’ll escort you up.
The Doorman holds the door as I enter the elevator. Hat. Uniform. White gloves. He presses the button. Penthouse.
Hi. Good to see you again. Would you like me to show you around our place?
I graciously accept. My feet are damp in my wing tips; they clop on the white Italian marble floor. The echo ricochets off the vaulted ceiling, off the contemporary furniture with its sharp lines, and off the floor-to-ceiling windows. I look out over the city – – a spectacular view – – and then look down below. I note that my hands are trembling. Take a deep breath. It’s acrophobia. Step back and away.
Would you like something to drink?
I thank him and pass. I can’t have anything near my stomach now. I’m nauseous. Stomach is churning. I’m breathing rarified air. I don’t belong here.
The air conditioning, noiseless, offers a cooling feathery touch. I shiver. Fine Art and humidity are not friends. The temperature, constant and cool, preserves.
Here’s what you came to see.
— Maya Angelou (April 4, 1928 – May 28, 2014). RIP.
“Omar Ortiz, 37, was born and lives in Guadalajara, Jalisco, Mexico. Since he was a boy he has been interested in drawing and illustration. He studied for a degree in Graphic Design, where he learned different techniques such as hand drawing, pastels, charcoal, water colors, acrylics and airbrushing. He currently works with oil painting because he considers it the noblest technique.
His work is characterized as minimalistic – hyperrealism where the human body is predominate whit texture-filled backgrounds and a magical use of fabric. “His paintings act like intimate pieces, trapped in themselves, outside of space and context.”
Thank you Sensual Starfish.
“I was born in and I am living in Bulgaria. Ever since I was a kid, painting has been my favourite way of expressing myself. After I graduated, I continued working in the field of architecture. For a year and a half I used to be the holder of a little art space, a gallery named Gluharche (Dandelion). At this point of my life, I am grateful that I have the opportunity to devote myself to what I dearly love. I believe every single person does need to express him/herself in his/her own way because the way we live and the energy we put in our work, influence the world and universe around us. The best we can do is to devote fully to what we are doing in every single moment of our lives. That is why I am happy I can share my art with you. I hope it will be a source of just the same positive emotion, that it has been created with.”
Source: Michael Ahler
“Ana Teresa Fernández was born in Tampico, Mexico and currently resides in San Francisco. She earned her B.F.A. and M.F.A. from the San Francisco Art Institute, where she is currently an Art Professor. She has won numerous awards and recognition for her paintings, sculptures and videos. She is known for her exploration of women’s strength and sensuality in the process of performing labor, her provocative images of women bent over mopping floors, ironing shirts, or dragging long locks of wet hair along the floor, reveal the ambivalence of femininity: Sensual and edgy, willful but polite, powerful yet vulnerable, strong enough to do manual labor, yet beautiful in heels.”
Be sure to check out her portfolio at her web site: anateresafernandez.com
~ Josef Albers
Josef Albers (1888 – 1976) was a German-born American artist and educator whose work, both in Europe and in the United States, formed the basis of some of the most influential and far-reaching art education programs of the twentieth century. In Poems and Drawings, first published in 1958, Josef Albers attempted to penetrate the meaning of art and life by the simplest, most disciplined means. This project was extremely important to Albers, who used its format to create complementary forms in both word and line that appear deceptively simple until they begin to disclose the author’s insights into nature, art, and life. Conceived as a kind of artist’s book, the publication features 22 of Albers’s refined line drawings alongside the same number of his original poems—each appearing in both English and German. (Source: Wiki & Google)
Vitry-sur-Seine by David Walker.
Street/urban art. What this man can do with a can of spray paint is astonishing.
Find more here: art of David Walker
Genís Carreras, 27, is a graphic designer and entrepreneur based in London and born in Catalonia. He is the author of a book titled: Philographics. His book is all about explaining big ideas in simple shapes, merging the world of philosophy and graphic design. There are ninety-five designs, each depicting a different “–ism” using a unique combination of geometric shapes, colors, and a short definition of the theory. Find his book on Amazon here. Find his web site here.
Genís is Genius. Period.
See more below:
This is “Quail Day” – an oil painting by Linda Tracey Brandon. Brandon is a graduate of the University of Michigan. Since then she has studied representational art through many years of workshops, classes and private instruction. Her focused study of the great masters of the past and intense daily practice has resulted in a uniquely evolving point of view. Linda has studied with many of the best representational artists working today and currently teaches painting and drawing at Scottsdale Artists’ School in Scottsdale, Arizona. Linda has excelled in painting the portrait and the figure. In 2006, she won a Certificate of Excellence at the Portrait Society of America’s International Portrait Competition, and in 2005 she won an Exceptional Merit Award from the Portrait Society of America’s International Portrait Competition. Her portraits hang in many homes, businesses and institutions. Find more of her work at her website here. You can find her blog here.
Source: Sensual Starfish
Painting by Giorgos Rorris from Journal Of a Nobody. Giorgos Rorris was born at Kosmas, Arcadia Kinourias, Greece in 1963. In 2001 he was honoured by the Academy of Athens with the prize for “Young Painter less than 40 years of age”. In 2006 he was honoured by the “Alexandros S. Onassis” Foundation for his artistic work. His paintings form part of public and private collections. See more of his work here.
About Daryl Zang:
My first real contact with art came early in life. I was born in 1971 in New York City and as a baby my mother often pushed my stroller through the galleries of the Museum of Modern Art and the Metropolitan Museum. I don’t remember a time when art was not a part of my life. I have always loved figurative painting and learned my technique earning a BFA at Syracuse University and through study in Florence, Italy.
My painting career truly came into focus after the birth of my first child. Ironically, at this time, I found it unthinkable that I would have the time or energy to take painting seriously. I found an escape in my studio and turned to self-portraiture in order to make sense of all the emotions that had arrived with this new phase of life. I created imagery that was honest and infused with a female perspective which I found difficult to find elsewhere in art. [Read more...]
Steve Layman’s shares “7 Questions About the Universe That No One Has Answered“:
…There’s also so much mess after 4.5 billion years of geophysics that some of our best information about the planet’s origins come from meteorites and the cratering of other worlds — outsourced. Speaking of other worlds, we’re not even sure we understand where the Moon came from, maybe it was a giant impact, maybe not. For an allegedly clever species on a small rocky planet this is a bit of an epic fail…
There’s an awful lot we don’t know (far more than just the examples here). But the point is not to get despondent, because this ignorance is a beautiful thing. It’s what ultimately drives science, and it’s what makes the universe truly awe-inspiring. After the hundreds of thousands of years that Homo sapienshas loped around, the cosmos can still elude our fidgety, inquisitive minds, easily outracing our considerable imaginations. How wonderful.
~ Caleb A. Scharf, Scientific American
“The Mastaba, a project for Abu Dhabi, will be the largest sculpture in the world, made from 410,000 multi-colored barrels to form a mosaic of bright sparkling colors, echoing Islamic architecture. The Mastaba is an ancient and familiar shape to the people of the region. The Mastaba will be 492 feet high, 738 feet deep at the 60 degree slanted walls and 984 feet wide at the vertical walls. The top of The Mastaba will be a horizontal surface 416 feet wide and 738 feet deep. (Note that an American football field is 360 feet long x 160 feet wide!) The colors and the positioning of the 55-gallon steel barrels were selected by Christo and Jeanne-Claude in 1979, the year in which the artists visited the Emirate for the first time. The Mastaba will be Christo and Jeanne-Claude’s only permanent large-scale work.”
CHRISTO: The Mastaba will be the most expensive because it will be the biggest sculpture in the world. It’s bigger than the Pyramid of Cheops. It is two avenue blocks by three city blocks and 500 feet tall. But you need to image what it will look like in the desert, with slanted walls, like the pyramids, so you can only see the one side when you look at it. It will be like the biggest stairway to heaven—a 500-foot-tall stairway.
CHRISTO: It will be the most expensive sculpture in the world. It costs maybe $350 million. We pay for it all ourselves. This is why we’re totally independent. I don’t ever do commissions. All projects are initiated by me. Curiously enough, it costs exactly the same amount as if we built the Eiffel Tower today. [Read more...]
The Rainblossom Project:
Reflected in a puddle of melted snow, people and dogs walk past umbrellas suspended from trees at Spanish Banks Beach in Vancouver, British Columbia. The art installation, called the “Rainblossom Project”, was put up by an anonymous group to be a celebration of the rain the city receives.
There’s no remedy, I suppose — this body
just made from the beginning to be shocked,
constantly surprised, perpetually stunned,
poked and prodded, shaken awake,
shaken again and again roughly, rudely,
then left, even more bewildered,
even more amazed.
—Pattiann Rogers, closing lines to “Till My Teeth Rattle.”
The problem (if there was one) was simply a problem with the question. He wants to paint a bird, needs to, and the problem is why. Why paint a bird? Why do anything at all? Not how, because hows are easy, series or sequence, one foot after the other, but existentially why bother, what does it solve? Be the tree, solve for bird. What does that mean? It’s a problem of focus, it’s a problem of diligence, it’s supposed to be a grackle but it sort of got away from him. But why not let the colors do what they want, which is blend, which is kind of neighborly, if you think about it. Blackbird, he says. So be it. Indexed and normative. Who gets to measure the distance between experience and its representation? Who controls the lines of inquiry? He does, but he’s not very good at it. And just because you want to paint a bird, do actually paint a bird, it doesn’t mean you’ve accomplished anything. Maybe if it was pretty, it would mean something. Maybe if it was beautiful it would be true. But it’s not, not beautiful, not true, not even realistic, more like a man in a birdsuit, blue shoulders instead of feathers, because he isn’t looking at a bird, real bird, as he paints, he is looking at his heart, which is impossible, unless his heart is a metaphor for his heart, as everything is a metaphor for itself, so that looking at the page is like looking out the window at a bird in your chest with a song in its throat that you don’t want to hear but you paint anyway because the hand is a voice that can sing what the voice will not and the hand wants to do something useful. Sometimes, at night, in bed, before I fall asleep, I think about a poem I might write, someday, about my heart, says the heart. Answer: be the heart. Answer: be the hand. Answer: be the bird. Answer: be the sky.
An intellectual? Yes. And never deny it. An intellectual is someone whose mind watches itself. I like this, because I am happy to be both halves, the watcher and the watched. ‘Can they be brought together?’ This is a practical question. We must get down to it. ‘I despise intelligence’ really means: ‘I cannot bear my doubts.’
— Albert Camus
Last night I had the strangest dream. I was in a laboratory with Dr. Boas and he was talking to me and a group of other people about religion, insisting that life must have a meaning, that man couldn’t live without that. Then he made a mass of jelly-like stuff of the most beautiful blue I had ever seen — and he seemed to be asking us all what to do with it. I remember thinking it was very beautiful but wondering helplessly what it was for. People came and went making absurd suggestions. Somehow Dr. Boas tried to carry them out — but always the people went away angry, or disappointed — and finally after we’d been up all night they had all disappeared and there were just the two of us. He looked at me and said, appealingly “Touch it.” I took some of the astonishingly blue beauty in my hand, and felt with a great thrill that it was living matter. I said “Why it’s life — and that’s enough” — and he looked so pleased that I had found the answer — and said yes “It’s life and that is wonder enough.”
~ Margaret Mead, Anthropologist
Quote Source: Brain Pickings – Life Is Like Blue Jelly: Margaret Mead Discovers the Meaning of Existence in a Dream. Image: Unknown.
Source: themetapicture.com. Thank you Susan.
This much is irrefutable: How you direct your gaze, where you place your energy and your conviction, how you tune your perception and with what integrity and attitude you offer yourself to the world means, well, everything. Why can’t this basic truth be broadened out to humanity as a whole?…
Maybe that’s a little much. Maybe it’s better to test it all out yourself, every day, on micro scale, to feel into what you really believe, what you know to be true at core level, versus what you’ve been fed, and by whom, and for what spurious purpose…
Who the hell told you you’re broken? Who told you you’re an addict, a loser, a Type-A, a manic depressive? Who said you’re too weak to quit smoking, to start exercising, to eat better, to find love or to quit being an overbearing jerk with zero redeeming qualities? Who told you humanity must operate a certain way? Who told you you’re full of trauma and rage? Who dared tell you you’re not already God? You really believe that? Good lord, why?
~ Mark Morford, Believe this and live forever
It makes me wonder, Do we spend most of our days trying to remember or forget things? Do we spend most of our time running towards or away from our lives? I don’t know.