Source: People Were Asked About Their Prime Years, These Were Their Answers. themetapicture.com
Double Chocolate Pancakes. That’s right. That’s what we’re talkin’ about.
Creator: Angie Dudley, a.k.a Bakerella, is the author of the New York Times best-selling book Cake Pops and creator of Bakerella.com. Check out her recipe here: Cocoa Nuts! Make Bakerella’s Double Chocolate Pancakes.
“En dansant sur la terrace” (Dancing on the Terrace) is performed on a rooftop in Paris. The choreographer is Tarek Aïtmeddour. You can find the the music titled “Charms” by Abel Korzeniowski from the movie W.E. (co-written and directed by Madonna) on iTunes here: “Charms“
Related Post: Evgeni’s Waltz (and background on W.E. and another Korzeniowski composition.)
The butterfly’s brain,
the size of a grain of salt,
guides her to Mexico.
~ Jim Harrison & Ted Kooser, Braided Creek: A Conversation in Poetry
Notes: Photo Source: nathab.com. Poem Source: Braided Creek: A Conversation in Poetry. Post title inspired by Albert Einstein’s quote: “There are only two ways to live your life. One is as though nothing is a miracle. The other is as though everything is a miracle.”
Crickets. Birds. And me.
Humidity 90%, but cut by a cool morning, 57º. Running weather.
I check my exercise log. Last running entry: August 3rd. I scan the page. More white space than entries. Ray is down 36 lbs in 7 weeks. I’m, well, you know, Up. And, staring at white spaces.
I’m out the door.
It’s Thursday. Evening.
(Another) last supper with the kids before they depart. It’s a short week, I’m off from work on Friday. Heaviness lifts. Weariness lingers. Gratitude drifts in. A peaceful, easy feeling sets in over dinner. Family. Our family dines together.
It’s Friday. Morning.
Eric comes up to the attic. “Why are you a hermit, Dad?”
We exchange fist bumps. As he turns, I jump him from behind and we wrestle. He’s become unmanageable. I pull up before things break, on me.
It’s Friday. Early afternoon.
We’re in the car to JFK.
President Obama visits Weschester County on Friday afternoon – the same Friday kicking off the long Labor Day weekend. His security team has shut down I-95, 287 and all major thorough ways, snarling traffic. The result: A 2.5 hour drive to JFK. Purpose of the President’s trip: Fundraisers. [Read more...]
Notes: SMWI*=Saturday Morning Work-out Inspiration. Image Source: gifak.net
Friday night I’m going nowhere
All the lights are changing green to red
Turning over tv stations
Situations running through my head…
Definition of Insanity:
Doing (watching) the same thing over and over and over again expecting a different result.
Reading was my escape and my comfort, my consolation, my stimulant of choice: reading for the pure pleasure of it, for the beautiful stillness that surrounds you when you hear an author’s words reverberating in your head.
― Paul Auster, The Brooklyn Follies ( Picador, 2006)
Above Beachy Head in East Sussex, England.
So often we run from feeling and yet it is only through feeling that we can know the depth of life. Only through feeling can we hold the smallest shell or bone and feel the tug of the Universe. Such raw being aches, for, as the Buddhists say, the bareness of being here is so full. I wake with this rawness and watching you sleep, I’m stopped before I start. Before I dress, I lose why I’m going anywhere. Yet wherever the day takes me- pausing to hold the groceries with the old man who packs them or seeing the neighbor’s child at the kitchen table doing homework as I walk our dog or pulling over to watch the small horse breathe his cloud over the fence- everywhere this bareness illumines. With no way to that bareness but through feeling and the listening that feeling opens. Some say I get lost in this feeling, this listening. But only if I think I know where I’m going, only if I think I know what I’m listening for. Through this bareness of being, we refresh our openness and enliven our innate connection to the one living sense. Through our unblocked, sincere response to life, we can tune our inner person with the great mysteries.
~ Mark Nepo
A strong handshake is almost twice as effective as a weak one in transferring bacteria such as E. coli from one person to another, according to a study conducted in the UK and reported in The New York Times. A moderately strong handshake, in turn, transfers about twice as many bacteria as a high-five. A fist bump is even more hygienic than a high-five.
Related Post: Running with Howie
The best thing you and I can do at the end of the writing day is to stash our work gloves in our locker, hang our leather apron on a hook, and head for the workshop door. If we’ve truly put in our hours today, we know it. We have done enough. It won’t help to keep at it like a dog worrying a bone.
I forgot who said this (I think it was John Steinbeck in Journal of a Novel):
Let the well fill up again overnight.
~ Stephen Pressfield, The Office Is Closed
A whole lot of us go through life assuming that we are basically right, basically all the time, about basically everything: about our political and intellectual convictions, our religious and moral beliefs, our assessment of other people, our memories, our grasp of facts. As absurd as it sounds when we stop to think about it, our steady state seems to be one of unconsciously assuming that we are very close to omniscient.
- Kathryn Schulz, Being Wrong
- Image: kdc123.
- Quote Source: Thank you WhiskeyRiver.
- Find her book here: Being Wrong.
- Find book review of Being Wrong here: To Err Is Human. And How! And Why.
- Find her bio on wiki here: Kathryn Schulz.
n. the awareness of the smallness of your perspective, by which you couldn’t possibly draw any meaningful conclusions at all, about the world or the past or the complexities of culture, because although your life is an epic and unrepeatable anecdote, it still only has a sample size of one, and may end up being the control for a much wilder experiment happening in the next room.
Related Posts from Dictionary of Obscure Sorrows:
Yep, about right.
His name is Christopher Thomas Knight. He was born 1965. He was 20 years old when he disappeared into the woods in Central Maine. He was captured in April 2013 when he was 47. During his 27 years in the woods:
- He never slept inside. He slept only in a tent. An unheated nylon tent. In an area which falls to 20° below zero in the winter.
- He had contact with only one person during the entire time, in the 1990’s. A hiker.
- He never used a shower. Or a toilet.
- He never made one phone call.
- He never drove in a car.
- He never spent any money. (1000+ burglaries provided sustenance)
- He never in his life sent an email or even seen the internet.
When he was asked about Thoreau, who spent two years in the woods at Walden, Knight dismissed him with a single word: “dilettante.” (def: dabbler, amateur, nonprofessional.)
At the very end of each of our visits, I’d always asked him the same question. An essential question: Why did he disappear? He never had a satisfying answer. “I don’t have a reason.” “I can’t explain why.” “Give me more time to think about it.” “It’s a mystery to me, too.” Then he became annoyed: “Why? That question bores me.” But during our final visit, he was more reflective. Isn’t everybody, he said, seeking the same thing in life? Aren’t we all looking for contentment? He was never happy in his youth—not in high school, not with a job, not being around other people. Then he discovered his camp in the woods. “I found a place where I was content,” he said. His own perfect spot. The only place in the world he felt at peace.
This story hasn’t left my consciousness for days. Don’t miss reading the full story at GQ: The Strange Tale of the North Pond Hermit.
Portrait Source: centralmaine.com
“I have, in my life, turned pages a million times more often than I have read them, and always derived from turning pages at least as much pleasure and real intellectual enjoyment as from reading. Surely it is better to read altogether only three pages of a four-hundred-page book a thousand times more thoroughly than the normal reader who reads everything but does not read a single page thoroughly, he said. It is better to read twelve lines of a book with the utmost intensity and thus to penetrate into them to the full, as one might say, rather than read the whole book as the normal reader does, who in the end knows the book he has read no more than an air passenger who knows the landscape he overflies. He does not perceive the contours. Thus all people nowadays read everything and know nothing. I enter into a book and settle in it, neck and crop, you should realize, in one or two pages of a philosophical essay as if I were entering a landscape, a piece of nature, a state organism, a detail of the earth, if you like, in order to penetrate into it entirely and not just with half my strength or half-heartedly, in order to explore it and then, having explored it with all the thoroughness at my disposal, drawing conclusions as to the whole. He who reads everything has understood nothing, he said. It is not necessary to read all of Goethe or all of Kant, it is not necessary to read all of Schopenhauer; a few pages of ‘Werther’, a few pages of ‘Elective Affinities’ and we know more in the end about the two books than if we had read them from beginning to end, which would anyway deprive us of the purest enjoyment.”
— Thomas Bernhard, Old Masters: A Comedy (University Of Chicago Press, 1992)
“This is Your Brain on Silence“ by Daniel A. Gross:
“Silence, Please” has proven to be the most popular theme in Finland’s rebranding, and one of the most popular pages on VisitFinland.com. Maybe silence sells because, so often, we treat it as a tangible thing—something easily broken, like porcelain or crystal, and something delicate and valuable. Vikman remembers a time when she experienced the rarity of nearly complete silence. Standing in the Finnish wilderness, she strained her ears to pick out the faintest sounds of animals or wind. “It’s strange,” she says, “the way you change. You have all the power—you can break the silence with even with the smallest sounds. And then you don’t want to do it. You try to be as quiet as you can be.”
- Read full article: This is Your Brain on Silence
- Link for most popular page on VisitFinland.com: “Silence, Please“
- Photograph by Robin Baumgarten in Oulu, Finland
“Evgeni’s Waltz” is a composition written by Abel Korzeniowski for the movie W.E. W.E. is a 2011 British romantic drama film co-written and directed by Madonna that tells the story of two women—Wally Winthrop and Wallis Simpson—separated by more than six decades. Madonna had decided to sign Korzeniowski for composing W.E.’s score after hearing his work on the soundtrack for the 2009 drama film, A Single Man. The singer recalled that she was “struck by the score’s ‘bittersweet’ qualities, this melancholic, romantic, sweeping emotional kind of heartbreak.
- The movie on Amazon: W.E.
- The soundtrack on iTunes for W.E.
- The soundtrack on iTunes for: A Single Man
This photograph is a gif of Imogen Cunningham’s: Three Dancers, Mill College (1929). Cunningham’s original photograph and bio can be found below:
Yes. But, a paper bird.
Be sure not to miss the entire collection of paper birds at her website: Diana Beltran Herrera
DIANA BELTRAN HERRERA (b. 1987, Colombia) is a designer and artist that has been working over the past years with paper as the primary medium in the production of her work. After graduating from her BA degree in industrial Design, Herrera realized that she wasn’t interested in pursuing a design practice as a life career, as she was more interested in the theories of understanding of nature and material as an element that exist around us and is present in an everyday routine. For Herrera, there is a considerable distance in the relationship between human and nature, and throughout her work, she aims to repair this relation by producing elements that are constantly removed, altered and forgotten. Her work is presented as a resistance where those sculptures remain in an ideal state and act like a model of representation of a reality that doesnt suffer any change.
After a long absence,
I put on a record of Bach,
inhale the fragrant earth in the garden,
I think again of poems and novels to be written
and I return to the silence of the morning rain.
— Pier Paolo Pasolini
Source: themetapicture.com (bear cub’s first clam)
Late afternoon meeting. Location: Cross town.
83°F. Mid August. Sticky. Cotton dress shirt is clinging to my chest.
Take a Cab? Rachel suggests it’s 15 minutes point to point on foot. Cab? A crap shoot in cross town traffic.
I hoof it down 47th. Building construction has cut the sidewalk in half. 2 lanes, with a solid lane divider. No passing due to heavy oncoming traffic.
I’m closing the gap with a middle aged man in front of me. His head is down tapping on smartphone. My pace slows to crawl. I cut the gap to a few feet.
I try to pass on his right. Not enough room. I slow and trail behind him.
What’s the rush, right? Breathe a little.
He hasn’t lifted his head. Inconsiderate SOB is still tapping out texts. Oblivious to the growing conga line behind him.
Caleb and his friends: “Say Cheese”
Find more @ Fine Dining Lovers: “Milking It In Africa: Ethiopian Camel Cheese
My own brain
is to me the most unaccountable of machinery -
and then buried in mud.
What’s this passion for?
~ Virginia Woolf
Credits: Poem – Et in Arcadia Ego*
It is the Treehotel’s Bird’s Nest room in Harads, in northern Sweden. From the outside, the room resembles an actual nest, a conglomerate of giant twigs. But from the inside, the room looks like that of a luxury resort. It’s large enough to sleep four. The design was to provide a contrast between indoors and outdoors.
Don’t miss photo’s of the inside of the Bird’s Nest Room at Grindtv.com: Treehotel puts you up…in a bird’s nest.
Image Source: YourEyesBlazeOut
Susan finds an abandoned baby bird on the lawn in the backyard. She has to protect it. To save it.
She cups it in her hand. She calls out to me to help.
“Put it back.”
I don’t get a response. A few minutes later she has the bird in a clear, plastic container. Where did she find that? (Note to self: Cache of Bird paraphernalia is growing.)
“Look at how cute she is.”
I glance at it. I’m gulping the flashback: What’s with you and birds? It was a different mother then. A Robin. Also, trying, to protect her young. The irony not lost on me.
“What do you think we should do?”
“I think you should put it back.” She’s getting attached. This will end badly.
“But it can’t fly!”
Zeke is circling. He’s sniffing wildly. His eyes are full. His breed and his blood, the Vizsla, was trained for generations to look up. To flush. To retrieve. It’s all about Birds.
“Its Mother can’t find it either. Go put it back. Near the trees.”
She ignores me. (Again.) I see her cupping the bird. Bobbing its beak in water.
“Come on birdy. Take a drink. Then we’re going back.”
That was Thursday.
Birdy had reappeared near the fence yesterday afternoon.
He considers his latest film (The Giver), co-starring Taylor Swift and Meryl Streep, a cautionary tale. “I think it’s an impulse for human beings to want to suffer less, and we’re kind of addicted to comfort at all costs—at least I am. And of course comfort has a price,” he says. “So the film is asking…what’s the true cost of our comfort, and what are we willing to pay?”
What is he too comfortable with? Sitting on a long white leather couch at a photo studio in New York, Mr. Bridges holds up a half-eaten almond croissant. “I love taste, and I love the immediate gratification of flavor and that satisfying swallow you feel all over,” he says. “But I look at my body and I should say, ‘Is that really the most healthy thing for me?'”…
But leaning back and eyeing the last of his croissant, he says that he is constantly dealing with the idea of perfection. “Wouldn’t it be great if I stopped eating this and worked out every day?” he asks. “Imperfection and perfection go so hand in hand, and our dark and our light are so intertwined, that by trying to push the darkness or the so-called negative aspects of our life to the side…we are preventing ourselves from the fullness of life.”
He’s referring to one of his favorite quotations by the Russian author Alexander Solzhenitsyn: “…the line dividing good and evil cuts through the heart of every human being. And who is willing to destroy a piece of his own heart?” Mr. Bridges interprets it as a reason not to judge other people. “You’re saying that guy’s evil, somebody else is saying you’re evil, and we all have that in common, but as The Dude might say, ‘That’s just your opinion, man,’ ” he says. “What I’m proposing is that we’re all connected, and we’re all in it together.”
~ Alexandra Wolfe in her interview of 64-year old actor Jeff Bridges
Read full interview in wsj.com: Things That Jeff Bridges Can’t Abide
Notes: NY Times Movie Review of The Giver
You’ll say you don’t have time to watch this.
It’s 13 minutes.
You need to move on to the next post.
And I’m telling you that
this woman is something special.
Don’t quit on this one.
Take it to the finish.
Good Sunday Morning.
Megan Alexandra Washington, 28, was born in Port Moresby, Papua New Guinea. She is an Australian musician and songwriter also known mononymously as Washington. Originally performing jazz music her style evolved to indie pop and alternative rock where she sings and plays piano and guitar. She developed a stutter early in her life and continues to struggle with her speech. Find her website here: washingtonmusic.com.au. Find her album on iTunes here: I Believe You Liar